Issue 72: Maxim Loskutoff

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About Maxim Loskutoff

Maxim Loskutoff grew up in Missoula, Montana. After graduating from Pomona College, he worked in hospitals in Dallas and Chicago, on campaign trails, and in the Middle East. He holds an MFA from NYU, where he was a Veteran’s Writing Fellow. He’s received fellowships from the Jentel Arts Colony, Caldera Art Center, and NYU Abu Dhabi. His stories have been published or are forthcoming in Narrative MagazineWitnessHobart, and The Minnesota Review, among other publications.

A Profile of the Author

Notes on “Prey”

The idea came from a true story. A friend of a friend woke up in bed with his giant snake. I never met the guy and only heard the thirty second version, but still, it was helpful. It’s one of the first short stories I ever finished, so to have that thread of truth gave me confidence. To know I could get as weird as I wanted because, hey, real life is even weirder. Much of my writing I’ve done since then continues to explore the relationships we form with wild animals. How we want them to love us and guide us when—in my experience—the very thing that draws us to them is their essential wildness: the fact that they’d just as soon chew your leg off and drag it into the woods as snuggle.

Growing up, I was exposed to a great deal of Native American literature and folklore, and I always found the role animals play incredibly beautiful. Then I’d read in the local newspaper about some dude who tried to pet a bison and got trampled. There’s a tension there that I love, and more than anything in my work, I want to feel that awe of the wild, that shivering feeling you get when you walk a little too far and night is coming.

Notes on Reading

Honestly, I have a somewhat mixed relationship with reading. Growing up in small-town Montana, I read voraciously and it was purely a pleasure. Earth-shaking discoveries on the regular, running from Salinger and Hemingway to Didion and Carver—tears and getting turned upside down. I read a book called Warlock when I first got to college that made me want to run through a wall. That much joy.

Now, it’s become work in some respects. I’m so aware of the seams, the joints, trying to figure out how a story works, that it can burn me out, and only really really special stuff retains that transportive power. And I have to be careful of the really, really special stuff too, because I can be such a mimic. If I read too much Cormac, too much DFW, too much Denis Johnson or Lydia Davis, I start to sound like them. Or, to put it right, I start to sound like a pale, flailing imitation. So reading can be a fraught experience. All that being said, I do read. Most recently, I stumbled on a book of Kafka’s parables—absolutely killer. I sit down with them and never want to emerge.

 

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“Prey” by Maxim Loskutoff

issue72

Found in Willow Springs 72

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I WAKE FROM A DREAM KNOWING that something, or someone, is in my bed. All the muscles in my arms and back are rigid. I roll over. A single, lidless eye gleams on the pillow beside me, milk chocolate brown with an elliptical pupil, swollen now in the near-dark. It's Voldemort, smiling at me with her long, double-hinged jaws.

I scramble out of bed, slivers of dawn leaking through the blinds and across my bare legs.

"Whatcha doing, girl?" I ask. "You have a bad dream?"

She's stretched as long as she can make  herself, like a spear. It's a startling way to see her. She's usually coiled or doing the S-slither. Her head on my pillow is next to an orange Cheeto stain, and her glossy gold-and-black body extends the length of the blue comforter and off the end of the bed. She's almost eight feet long. "You've grown," I tell her. It occurs to me that when we're lying side by side, she's a lot longer than I am. "You're too big to sleep with Daddy."

I lift her midsection and drag her back to her tank under the window. She's at least a hundred pounds. Her skin is slick: not wet, but not quite dry. It's surprisingly cool, like spaghetti that's been left out overnight. She starts to curl around my arm. "You're too big for that, too," I say, pulling away.

Her tank runs the length of my wall. It has a heat lamp and fake foliage, a heated log, branches that she likes to drape herself over, and a pool to soak in. A Hermione Granger doll sits in the corner. I spend most of my extra money heating the tank and buying her food and toys. The lid is pushed open. I think back on last night: a meatball Hot Pocket, pushups, some porn. Maybe I didn't larch the lid properly after I tried to feed her. The uneaten rat is gnawing on a fake leaf by the pool.

"Bad snake," I whisper, kissing her face and putt ing her on her log. "Stay." I snap the lid shut.

I get back in bed and stare at the plastic stars on my ceiling.

 

"I KEEP TELLING YOU, if you're lonely, just kill yourself," my roommate Jasper growls when I pound on his door. He came with me when I bought Voldemort at Tropical Pet World four years ago. We were freshmen at the  University  of  Montana—reading  Harry Potter and  smoking  a  lot of pot. We drew lightning bolts on the baby mice we fed her and said "Expelliarmus" when we flushed  her molted skin down the toilet. For a while, I said "Expelliarmus" every time I flushed the toilet. I've always had trouble with girls.

"It's an emergency."

"You can come in here with us," his girlfriend Nancy calls. I consider it. The three of us tangled up, whispering and re-situating our bodies. They're both in good shape. She plays rugby. She has incredible breasts and they'd be swinging.

I listen to her and Jasper rolling out of bed and putting on clothes. I don't know what she sees in him. He's my best friend, but he's big and blocky and has a Neanderthal look, like he should be constantly grunting. He's the right kind of big, I guess. Not chunky, like me.

He mutters about replacing my antidepressants with cyanide capsules as I lead them to my room. Nancy wears a pair of his boxers, yellow ducks floating on beige cotton. I've never seen a yellow duck in real life. Her short hair is spiked out every which way.

"She was right there." I point to the left side of my bed. "Stretched out straight as a spear."

"You let your snake in your bed?" Nancy asks.

"I didn't let her. I woke up and she was there. She scared me." I turn to Jasper. "I think there's something wrong with her. She hasn't eaten in weeks."

He scratches his mustache. It's new and he's proud of it. "She looks pretty healthy to me. I  thought it was normal for pythons not to eat for weeks."

"Not in June," I reply. "They're supposed to eat a lot in the summer. And she's acting weird. You should have seen her all straight. It was unnatural."

"It's pretty weird that you have a giant snake in the first place," Nancy says. She doesn't know Voldemort like Jasper does. She and Jasper have only been together six months. I didn't think they'd make it this long. He's never been serious with anyone.

"Take her to the vet if you're so worried," Jasper says. "She could probably use a checkup."

I haven't taken her since she was a baby and they gave her pills for parasites. She wasn't even a foot long  then. I toted her around in a little plastic case. Now, she watches me from inside her heated log, her chocolate eyes blank.

 

WE DECIDE TO CARRY HER in a garbage bag to Cats on Broadway. It's only two blocks away. I don't have anything else that will fit her. I put some sand at the bottom so she'll feel at home. "What a big, good girl," I coo, as we load her in. She writhes around, and it takes both of us to control the bag until she settles down.

"It's dark in there; she's probably sleeping," I say, to make myself feel better.

"This is ridiculous," Jasper says.

The bag is heavy and awkward and we end up dragging her through the grass. Around sprinkler heads and piles of dog shit. I'm glad our neighbors are at work.

The receptionist wears a salmon cardigan covered with cat hair. Her red perm is coming loose in the summer heat. I picture little saucers of milk scattered around her apartment. Cats gross me out—licking themselves, coughing.

"I have an appointment for my python," I say.

She looks at the bag, starts to say something, stops, and slides a clipboard across the desk. "Fill these out. The doctor will be with you in a few minutes."

''Are vets really doctors?" Jasper asks, in a whisper, when we're seated in stained blue chairs against the wall. He was pre-med for three years until he flunked Organic Chemistry. The waiting room is empty. A single orange baseball cap hangs on a coat rack by the door. It looks like it's been there a long time. On the phone this morning, the receptionist told me they could squeeze me in because of a cancellation. Cat magazines are fanned across a plastic table.

"I think this place is just for cats," I whisper back.

I finish the forms and return them to the receptionist.

Voldemort wakes and starts writhing again. Jasper pretends not to notice. I pull the bag closer to my chair. I was supposed to graduate last spring, but I failed some classes, so I have at least another year. I told my parents I'm double majoring. I can't imagine being qualified for anything more complex than filling a tortilla with beans, rice, and a blob of guacamole.

The vet's a young guy with tortoiseshell glasses. His white sneakers squeak on the linoleum floor. "Creative, I like it," he says, when we haul the garbage bag in. He introduces himself as Dr. Gavin.

We gently spill Voldemort onto the steel table.

"She's a beauty," Dr. Gavin says. He runs his finger along her back, and she's embarrassed—under the bright lights, being touched by a stranger. I silently promise to give her a belly scratch when we get home. "Dwarf Burmese, almost five?" he asks.

I nod. The room has a cat stink and I don't know how seriously I can take a doctor named Gavin. I tell him how long it's been since she's eaten.

He looks at me above the rims of his glasses.

"And I woke up with her in my bed last night. Stretched out really straight. She's never done that before. I think she might be sick."

He forces her jaws open with a tongue depressor. Her fangs are several inches long. It's weird seeing them in the light. It's like discovering your dad has a gun in his desk. The muscles in her jaw contract, trying to snap shut. Jasper is leaning against the door frame staring at a poster of a cat tangled in a mess of computer wires. "Wait, I'll fix this," reads the caption.

"Was she next to you when you woke up?" Dr. Gavin asks. "Head to head, feet to tail?"

I nod. Maybe it's a common, easily fixable python problem.

He looks directly into my eyes the way I imagine a real doctor does when he tells you you're going to die. He has a single jubilant nose hair. "You can never be sure, and I don't want to worry you unnecessarily. But it sounds like she's planning to eat you."

Jasper laughs, then stops when he realizes Dr. Gavin is being serious. I take a step back. The fluorescent lights seem brighter. Voldemort slithers lazily. Her tail doesn't fit on the table. It twists in the air. At her widest, she's thick as a basketball.

"You have to understand, even domesticated pythons are wild animals," Dr. Gavin continues. "They might get used to humans, but they don't bond in the same way a dog or a cat does. And when they're planning to eat large prey, they void their stomachs and compare their size to make sure it's . . . feasible."

I've fed her religiously for four years. Mice at first, then rats and rabbits. I give her a chicken once a month, and last Christmas, a goose. I had to sit on the lid of the tank while it flapped and banged around. Hundreds and hundreds of dollars I spend to make her happy. I take another step back and bump into a weasel skeleton. There are all sons of skeletons on the counter behind me: cat, raccoon, beaver.

"You aren't just a cat doctor, are you?" I ask. "I mean, you were trained with all animals?"

He laughs. "Yes, we're all regular, fully trained doctors of veterinary medicine here. I wasn't around when they chose the name. And like I said, I can't be sure that's what your snake is planning, but it is the most likely explanation. Burmese like big prey."

He pats my shoulder. "It's really not that big a deal. You have a healthy snake. As soon as she realizes you're not realistic prey, she'll start eating again. Until then, make sure the lid on her tank is closed tight. I'd recommend putting something heavy on it, just in case. Snakes are escape artists."

Prey. I try to imagine what it would be like to  be eaten. Would I wake halfway inside her, up to my waist? Or maybe just a foot in? Or all the way inside her, in the dark, with digestive acids eating my flesh? The goose kept kicking for a full minute after she swallowed it. I watched the whole time.

 

THE THREE OF us sit on stools in Taco Del Sol, where I work, eating burritos I made them for free. I did some serious Googling when I got home from Cats on Broadway, and I'm not the only Burmese owner with a stretched-out-snake experience. Although usually it's when the snake is planning to eat the family dog.

"We should kill it," Jasper says.

"Or find it a better home," Nancy says, picking at the tinfoil swaddling her burrito. "In a sanctuary or something."

"There aren't python sanctuaries in Montana," Jasper replies.

"I'm trying to be helpful. You know how much Derek loves his snake. He doesn't want to kill it. Don't be a dick."

"It wants to kill him."

They sound like my parents: "Fine, let him keep the stupid snake, but don't you think he should have some friends? Play a sport? Like a normal kid?" "Leave him alone! He's just shy." Jasper is in front of a Corona poster: beach, bikini, palm tree. His long, rectangular head blocks almost the entire bottle. I'm glad he failed O-Chem. He'd be a crap doctor.

"It doesn't want to kill Derek specifically," Nancy says. "It's just following its instincts. Don't start with your simplistic masculine bullshit."

She has some guacamole on her chin I want to lick off.

"All right, all right," he says, holding up his hands. "But I really do think we should get it out of the apartment. Maybe the pet store will take it back."

"It's a she," I say.

 

JASPER COMES INTO MY ROOM with a stack of chemistry textbooks. "I want them out of my sight," he says, putting them on the lid of Voldemort's tank. He pats me on the back, real friendly. I guess he feels bad. It's easy to take the high road when you're getting laid. I take the books off as soon as he leaves. I don't want the lid to collapse and crush her.

Most of me doesn't, anyway. Part of me wants to kill her.

"Think you're gonna eat me?" I hiss, squatting in front of her cage with the machete my dad got me in Costa Rica. I think I could chop her in half with one swing.

One really good swing.

I lean against my bed and stretch my legs. My posters of deadly spiders (black widow, funnel, the wandering Brazilian) look especially deadly in the moonlight. A purple galaxy glows inside my bong. Harry Potter action figures are being overwhelmed by a swarm of orcs on my dresser. It's almost midnight. Nancy isn't staying over. She and Jasper murmured to each other for a long time and then she left. I'm out of weed.

"After all we've been through? All those nights when I told you about my life and my problems, you were planning to eat me? All the times I fed you, the toys I bought . . . " I gesture to her rubber snake friends and the Hermione Granger doll. I'm sure there's a Shakespeare quote that sums up this kind of betrayal poetically, but all I can think to say is, "Bitch."

Her head is hidden inside the log. I can only see the lower two-thirds of her bunched against the glass like a large intestine. I tap the glass with the blade. "Look at me, bitch."

 

THE SHADOWS OF PASSING CARS roll across the ceiling. The red numbers on my clock increase and start over. I picture her slithering out of her tank, across the carpet, into my bed, her cool skin tightening around my throat. I get up and put the chemistry books back on the lid.

 

I HAVE THE NEXT DAY OFF and decide to go for a hike in the Rattlesnake Wilderness. Voldemort is asleep in her cage. The rat is sleeping, too, its little head on the partially eaten plastic leaf. I didn't sleep at all.

I try to walk or bike at least four miles a day to lose weight. I've gotten down from a thirty-eight waist to a thirty-six. It's hot out. The few shredded clouds look like they're fleeing a massacre. I turn off the main trail to avoid the dog walkers and head up Spring Gulch.

The trail follows Rattlesnake Creek through dense woods for a mile, then opens in a clearing below Scapegoat Ridge. I like it here. There's an apple tree a settler planted a hundred and some years ago. It's gnarled and wise and looks both out of place and completely at home. Strands of barbwire are stapled to its trunk to keep bears away. Grass and mushrooms and flowers grow in the sunlight. Towering lodgepole pines surround the clearing. There's some kind of beetle killing the pines. The beetles used to die in the winters, but the winters aren't cold enough anymore. All the Environmental Studies majors are talking about it. No one knows what to do.

I sit beside a pale mushroom as big as a dinner plate.

I can't kill her. It would be like admitting I'm wrong about everything. My parents would be relieved. "Maybe now he'll find a girl," my dad would say. And how would I do it? Stop feeding her? Chop her up?

A couple on mountain bikes zips by. They throw me mud-spattered smiles. It's hard to keep doing things when you have to do them alone. I wonder if the settler who planted the apple tree was alone, or if he had a wife and kid. Maybe his wife wanted apples. My history professor said settlers often abandoned their families because they couldn't stand the stress of worrying about them in such wild country. It's one thing to live with the fear of getting scalped; it's another to imagine it happening to your kid.

I take out my pocketknife and cut away a chunk of bark at the base of the trunk, by the end of the barbwire. Then I start carving. After a few minutes, I lean back and admire my work: "Voldemort 1893."

 

JASPER AND NANCY are in the living room watching Jeopardy! Light from the TV flickers on their faces. She has one of her legs thrown over his, making them a single four-legged creature. I head for my room but he turns off the TV. "Derek," he says. "We need to talk."

I went six miles—all the way to the top of Scapegoat Ridge, plus the ride home. I want to take off my shirt and look in the mirror and see if there are any improvements. I'm hoping I can sleep. I flop down in the frayed recliner across from them.

"Nancy's roommate is moving out and we're moving in together. At her place," he says. His thick, curly hair is cut short, pubic. It trembles when he speaks.

I want to close my eyes and ask if we can talk about all this in the morning and then never bring it up again. Jasper is my best and only friend. And Nancy—I haven't known her long, but they're the closest thing I have to family here. I don't want to be alone with my snake.

"I'm going to move my stuff over this weekend. I'll keep paying rent through the end of the month, of course."

"And we already put an ad on Craigslist for the room," Nancy says. "We'll show it, and if someone's good, we can all sit down together."

"I can get rid of her," I reply.

"It's not just the snake," he says. "We've been talking about moving in together for a while. Nancy's over here pretty much every night. She should be paying rent." He laughs weakly.

I pick myself up out of the recliner, pretend it's no big deal. "Yeah, that makes sense. Congratulations. Let me know if you need help this weekend, with your bed or anything." I walk down the hall slowly, carefully.

"You can keep the TV and the couch, the stuff we split," he calls after me.

 

I LIE ON MY BED, looking at the stars on the ceiling. They don't form any meaningful constellations. It must've been a kid's room before I moved in. People have never liked me much. "If you're going to be fat, at least be fun," my dad said once.

Jasper's put up with me longer than anyone except my parents. Four years we've lived together. He helped me pass Calculus. He did the dishes when I left them long enough. He was careful not to bring fatty foods home when I was on a diet. He never once acted like he felt sorry for me.

I spied on him and Nancy once. I heard them through the wall. We'd been to a party and I was drunk. Their door wasn't closed all the way. Nancy was on top and he had both his hands on her breasts. She grabbed the bed frame. He jostled her with his thighs. She threw her head back. The muscles in her shoulders stood out. Her ass was the whitest thing I've ever seen.

I've had sex with three girls. I had sex with one of them four times. But no girl has ever wanted to spend the day with me, or day after day. Let alone six months.

Voldemort slithers out of her log. She presses her head against the lid, where it meets the side of the rank. The gold parts of her skin have a caramel glow in the evening light. The markings on her face come together to form an arrow, pointing at me.

*

BY SUNDAY THE APARTMENT has tripled in size. I wander through the empty kitchen and living room. I find half a bottle of Rich & Rare and a family-sized bag of Cheetos in the cupboard. I finish them both. Jasper's room is stripped. A few pieces of tape cling to the bare walls. There's a dusty square on the floor where his bed used co be. I try to imagine where his body went and where Nancy's body went. I wonder if they held onto each other all night, if people actually sleep like that.

She gave me a big Lysol-smelling hug before they left. "Come over all the time," she said.

"Really," Jasper added. "Don't hang out alone." I could tell he was happy to leave. He was tossing boxes around, practically skipping.

Voldemort is making the gentle rustling sounds that used to be a comfort. Barbwire is duct-taped around the top of her tank. The steel barbs glitter. It looks like a concentration camp. The starving rat hardly moves.

This is a lesson. Stop being fat and weird. Get rid of all the Harry Potter crap. Buy weights. Grow a beard. Do pushups and watch football and smile whenever anybody says anything.

I've been telling myself to change for eighteen years, ever since Perry Macklin called me lardass and  pinched me before naptime. But here I am, alone with my snake in a two-bedroom apartment at 11:30 on a Saturday night. The same as I've always been. She flicks her tongue at me. I'm so tired my head hurts. I take the machete from the bedside table and lie down. I show her the blade. One really good swing. In prehistoric times, the weakest members of the tribe got left behind for the predators. Too fat, too slow, too sick. The ones who couldn't carry their weight. The ones no one wanted around. They curled in hollows beneath the boundless maw of night, clutching sharp stones, listening to things move in the dark, waiting.

5 Poems by Nicole Cooley

issue72

Found in Willow Springs 72

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HlNl Doll

-  At a bodega in Merida, Mexico

Baby in a green surgical mask, baby in a hospital gown, baby in a box behind the rows of shelves of First Communion on dolls, of white dresses and veils with roses to wear when you become the Bride of Christ, baby in a mask in a slit-open box and I would like to touch her, no, I would like to hold her, kiss her Rushed plastic skin, I would like to sink to the concrete Boor, press the unfused bones other skull to my breasts, press my lips on her drawn-on plastic hair, her sick baby smell, all butter and dust.

 

The Pregnant Doll

- At The Victoria and Albert Museum of Childhood, London

She's never an ultrasound's shadowed green, slush and slur of a heartbeat­

 

her plastic body is only visible if you remove

her mother's stomach the size and color of a vanilla wafer,

 

stomach sliding off neatly to extract the baby, baby

like a battery snapped into the back of a digital clock

 

Baby who never cries. Doll who wears high heels and a pink nightgown

over her emptiness. She's thin in an instant. Never

 

an N's bite and scrawl, never a monitor black-strapped on her skin,

never an injection into the cervix that doesn't work Her body

 

opens easily, with a finger flick, then closes. She's never

birth sick or tired of being a household for another body.

 

She's never a cut steak leaking blood onto a plate.

 

Bye-Lo Baby, Patent Applied for, Stamped in Black Ink on Her Chest

 

Baby in blue velvet, baby in fake lace.

Baby with lips set in a grim thin line.

Baby all celluloid, baby glass eyes stuck in her sockets.

Baby forever half-sleeping.

In the NICU, in an isolette, in the museum behind glass.

Bye-Lo Baby when invented first needed a model.

My baby,

                 not my baby,

baby I don't want.

                                                               Baby I love best.

My daughters say: why can't you have another baby?

The inventor searched and searched. Hospital to hospital.

Baby, one eye open, baby watching from the corner, from the edge

          of the bed.

Model baby! Baby three days old, baby copied.

Baby drawn-baby drawn and quartered?-Baby photographed.

Baby whose mother is where-

          Baby patented. Baby made and made and made in a factory

                    in Germany.

My daughters say, I want chat baby! Make a baby for me!

                            All dressed-up baby, baby in her velvet, boxed-up baby,

                                           baby back-storied,

                                           baby inventoried.

Another baby?

Lo Baby, Bye Baby, Baby Bye Bye at the bedside, baby in the museum

          baby taken
          from your mother 's arms.

 

Two-Faced Doll, Germany, c. 1890

Go ahead, now, activate the crying mechanism deep in side the body. She's all pulleys, wired tight with ropes and miniature chains inside her hollows. Yank the string at her waist and she turns mean. Four bisque teeth: watch her mouth open and snap shut like a change purse. You will want to pour her full of dimes, you will want to shake her head till it knocks against her shoulders, yank the papier-mache hood off to show her baldness, yell back at her yelling face.

 

Frozen Charlottes Found in the Excavation of the Muni Metro

In ditches, trenches, inside drywall, under
rock foundations, stuck and tunneled deep in dirt.

Penny Babies: one cent for each small body.
*
Dolls made to teach girls to avoid their vainness, to cover

up on sleigh rides at night, to wear a wrap, a cape, a coat.

Don't walk out of this house in that too-short skirt.
Don 't let your bra strap show or boys will snap it: it's snowing!

Always wear shorts under your skirt
or the boys will flip it up over your head.

*

When the archaeologists find them, buried and jumbled, they are
all white bone. They are cigarette ash.

*

You will be unwrapped, like a gift, your scarf slipped from your iced face.
See what happens to the bad girls who won't listen?

In all the stories about you, you are a lesson.

*

In the doll factory, if blemished, if cracked, if anything chipped or broken,
you were scuffed one by one in the walls of the building.
You were insulation against winter.

*

Sit like a lady, the man admonished me. I was in third grade.

*

What is the lesson?

*

A series of linked ghost bodies. Light, naked, iced.

*

Tell me why in all the stories about you, you are already dead?

 

Issue 72: Nicole Cooley

Nicole-Cooley_NewBioImage

About Nicole Cooley

Nicole Cooley grew up in New Orleans, Louisiana and now lives outside of New York City with her husband and two daughters. She is the author of four books of poems, most recently Breach (LSU Press) and Milk Dress (Alice James Books), both published in 2010, as well as a novel. She has received the Walt Whitman Award from the Academy of American Poets, the Emily Dickinson Award from the Poetry Society of America, and a National Endowment for the Arts grant. She is currently at work on a new collection of poems and a nonfiction book, “My Dollhouse, Myself: Miniature Histories.” She is the director of the MFA Program in Creative Writing and Literary Translation at Queens College–City University of New York, where she is a professor of English.

A Profile of the Author

Notes on “Dolls”

I am fascinated by dolls, dollhouses, and miniature things. They all seem to cast a spell in strange ways and are both infinitely delightful and often disturbing, even creepy. As a child, I was obsessed with my dollhouse and my dolls, as my own daughters have been, too, and as an adult I love reading about dolls and dollhouses—the past histories of dolls, the stories of who owned and kept them, stories of artists who make altered art and jewelry out of miniature dolls, which is really amazing. I think dolls in particular raise a number of themes that interest me, from gender identities to mother/daughter relationships to questions about bodies.

This series of poems, however, was sparked by a walk I took in downtown Merida, Mexico where I was teaching for a week in January. Inside a store, I found the doll “H1N1 Baby” on the shelf. I went home and started writing. Oddly, or not, I finished the series of doll poems in Mississippi, when I was away giving a reading.

Notes on Reading

I love reading—it is truly one of my absolute greatest pleasures in life and always has been. And I will read anything, from a nineteenth-century novel to a cereal box. I start and end every day by reading. It’s my narcotic to fall asleep and my way to enter each day. And when I sit down to write, I always begin by reading.

Right now I’m reading the new nonfiction book by Eve Ensler about her recent illness, the recent British novel Alys, Always by Harriet Lane, the collected poems of Louise Gluck, a book about women who are standup comics who choose not to have children, an anthology of eco-poetry that was recently published, and Frank Bidart’s new book of poems, Metaphysical Dog. I like to have more than one book going at one time. I have my late-night books, my read-on-the-subway books, my reading-to-inspire-my-writing books.

 

5 Poems by Nicole Cooley

Found in Willow Springs 72 Back to Author Profile HlNl Doll –  At a bodega in Merida, Mexico Baby in a green surgical mask, baby in a hospital gown, baby in … Read more

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“The Man with The Nightmare Gun” by Robert Long Foreman

issue72

Found in Willow Springs 72

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I AM NOT A SERIOUS MAN. I thought Carol understood this about me by our fifth date. I thought it was something I'd established the night of our third date, after we had sex the first time. We lay together for an hour afterward, discussing the vast range of bra sizes and the prehistoric giant sloth, extinct now for thousands of years. It stood twenty feet tall and had massive claws, Carol said. When she added that people who lived when the sloths roamed the earth didn't wear bras, I said, "They were the Greatest Generation." She laughed.

Two dates later, I confessed to her my long-standing fascination with guns. I thought she would understand that I was only half-serious about this, though I was honest when I speculated that guns were an interest American men were conditioned for, starting when we're toddlers. Guns intrigued me for reasons I could not explain. I showed her with my hands the size of what I imagined was the perfect gun for me. I mimed pulling it from a shoulder holster and aiming it at my calzone. I said, "Put the knife down, lady. Drop that knife or I swear to God I'll drop you."

Had I known how Carol would react to this, I never would have done it-because she was not amused, not in the least. She leaned back in her chair, increasing her distance from me and her spaghetti. The look she gave me was the look of a woman who never wanted to see the man she was looking at again. She would never let a gun into her house, she said. In four and a half dates I had not upset her. Now I had. I thought I'd blown it, had taken a wrong turn and could not retrace my steps. This, I thought, was the end of date five.

Soon, though, my future wife pulled her chair back to the table. For the next five minutes she wouldn't look at me. She took a bite of her spaghetti from time to time. She gave me a series of insincere smiles, as if to let me know she knew I was still there. As if to remind me I was being ignored. We ate like someone had ordered us to finish our meals and we had to obey. I felt as if I'd been demoted. I paid the waiter and drove Carol home in silence.

When we arrived, she asked me to come inside.

I was only beginning to understand how Carol works. I had taken her silence to mean that all she wanted was to finish her spaghetti and never see me again. It didn't mean that. She merely wanted to get me to a private space so we could have a proper argument. Carol doesn't like public altercations. She doesn't like to make a scene, and I respect that. Inside her apartment, she said she had almost been frightened of me when I spoke so passionately about deadly weapons. "I hate guns," she said in a way that made it clear that hers was not the passing disdain of the typical liberal arts graduate. She had given it serious thought. She couldn't believe that this man she was falling in love with might want to divide his affections between her and a lethal weapon.

I had not known she was falling in love with me. I said I was sorry and meant it. I told her I knew better than to ever buy a gun. I would never take my interest in them that far. She nodded and said, "Good." Then we took each other's clothes off and forgot the whole thing.

I did my best, for Carol's sake, to put guns out of my mind. For several years after that night, other things occupied my mind-as Carol and I moved in together, as we got married, as we moved from our first house to a bigger house, and as Carol quit taking birth control after some long conversations about whether the time was right to have a child. We concluded that no time would be right to have a child, so we might as well do it before we got old.

Our lives settled. We were content with our jobs. We had a system that articulated which of us would make dinner each night of the week. I had Tuesdays, Thursdays, and Sundays. We knew there would be no surprises in our lives, until the baby came and there would be nothing but surprises.

Then something changed. Or maybe nothing changed. Perhaps it was a matter of something I had buried re-emerging, despite Carol. In the calm before the birth of our child, when my greatest worry was whether we had enough eggs to make quiche on a Sunday, Tuesday, or Thursday-if we didn't, I would have to go to Kroger and get more­ l found that I was lacking something, something I could load bullets into, something with a trigger I could squeeze.

I wanted a gun in the old-fashioned sense of the word want. I didn't just desire a gun. I was lacking it, and its absence from my life was deeply felt. I wanted a gun with the same urgency our son would want Carol's breast when he was born.

I had no reason to own a gun. My friends didn't carry them. I didn't know how to shoot or clean one. I hadn't offended members of a local criminal organization. It simply seemed unthinkable that I lived in a country where I could so easily go out and buy a gun and I hadn't done so. There was also disbelief-that I had lived so long in a world that contained both me and guns and I'd never handled one. And I grew up in Kentucky.

 

ONE SATURDAY MORNING when Carol was at yoga, I went to Lion Pawn. For days I'd staked it out online. They had a black and yellow website, with big letters at the top that read WE BUY GOLD. Below that was a window with a short commercial full of sweeping shots of their inventory, followed by close-ups of excited children. The owner wanted his pawn shop to be a family-friendly establishment. He went so far as to flash the words FAMILY FRIENDLY across the screen.

I don’t like to walk into buildings I've not been in before. When I do, I have the creeping sensation that everyone's eyes are on me. This was the case at Lion Pawn, where there was just one other person in the store. A bearded man in a hat stood behind the counter and said hello as I came in. I said hi and turned to the guitars, so as to seem less eager to reach the guns.

I had never been to a pawn shop. I was struck by how like a thrift store it was, but without the useless junk crowding the shelves. They had dozens of guitars and display cases of jewelry and guns-more than I'd expected-enough to arm a Boy Scout troop and make them child soldiers. Behind the counter leaned a long row of shotguns, with a few assault rifles at one end. I could see them from where I stood among the guitars.

I didn't want to be with the guitars. I made my way through them, glancing at price tags to look interested. After a few long minutes of fake browsing, I made my way to the handguns in a big glass case. Some were little single-shot pistols. Others looked like flare guns, with big, fat barrels. I saw a .44 Magnum, and it was like seeing a celebrity in the flesh; there was no way not to notice it, and there was nothing else it could have been. It looked lethally heavy. It wasn't just any gun. It was a gun with a product line of huge condoms named after it.

Half the display case was reserved for semi-automatics, but I didn't want those. Berettas, Clocks-they're more machine than pistol. They look like they have something to hide. You can't see the bullets or where they go. They're stacked in the handle. I wanted something simpler, more naked. I wanted a revolver. Made to greet the hand that grips it, the curves of a revolver are as smooth as young flesh. Its mechanism is ingenious. Pull the trigger and a bullet fires as the wheel turns to present another round. I have not had to study this design; thanks to TV and movies, it's as familiar to me as the recipe for scrambled eggs.

I was disappointed in the revolvers on display at Lion Pawn. I'd expected their metal parts to shine more brightly. I thought the wooden handles would look recently Pledged. These guns looked used and worn, like they'd been fired too many times by men who never washed their hands.

But one revolver did stand out, even though it had the same faults. It was the simplest looking gun, the one most like what I imagined when I pictured the perfect gun for me, my Platonic ideal. I pointed it out to the man behind the counter and said, "I'd like to see that one, please."

It was a Ruger Security Six. Its body was black steel, big letters on the barrel reading STURM, RUGER & co., INC. Its handle was wooden, with diamonds formed from divots etched on both sides. Above each diamond was a metal circle, half the size of a dime, bearing the image of an eagle. At first it looked like a phoenix-I mistook the broad feathers for flames-but when I looked closer I found it wasn't burning. It was in flight.

Here was a pistol with character, one I could take home that day if I wanted. There are no laws where I live to slow such a transaction. I paid the man his five hundred dollars. He put my gun in a cardboard box. I bought a box of bullets-fifty for forty dollars. I wouldn't have thought to get them, but the man asked, "You got ammo for that?" Of course I didn't. I had not thought ahead to the projectiles I would shoot from my gun, why I would want to shoot them, or where they would go when I did.

All this took fifteen minutes. I spent another twenty walking home with the box in a plastic bag. I arrived before Carol, and stowed the gun in the basement, in a desk my grandfather had kept in his shop before I was born. I don't have a shop. I have an office. My desk there is metal, and its drawers barely slide when you pull them. The sturdy desk of my father's father has kept me in mind of what a desk once was. I would keep my gun there-not locked in a place where Carol couldn't reach it. But where she wouldn't look in the first place.

The basement is a place that belongs to me, more or less. Carol goes there only for laundry purposes. In the years we've lived together, she hasn't touched the desk once.

I had a breakfast of toast and scrambled eggs ready by the time she arrived home. She would not know what I had done that morning. She would not see that I'd spent five hundred dollars at Lion Pawn with my debit card, because although we're married, we maintain separate bank accounts. Carol had other things on her mind, anyway. She was just beginning to show, and was thinking more and more of the baby. She was reading What to Expect When You’re Expecting, which I'd bought her after her last pregnancy test, remarking that soon I would need a different book-What Do You Expect Me to Do While You're Expecting? She laughed at that.

She would not laugh if she knew what I had placed in the drawer of my grandfather's desk. She would scream at a rocket's pace to the nearest divorce lawyer.

 

I DIDN’T TOUCH  THE GUN again that day. I had other things to do, and I wanted to spend time with Carol. Plus, I'd become a victim of buyer's remorse. I have made it sound as if my purchase of the gun was planned in advance. And I did plan it, in a way, over all those years I considered buying a gun. But I didn't leave the house that morning expecting to return with a pistol. Now that I'd gone through with the purchase, though, I thought it might have been wise if I'd kept my desire for a gun in check. I'd spent five hundred dollars on something I didn't need.

I was couch-bound that afternoon, reading online. I visited a site that was nothing but one page of nearly unreadable text-white words on a black background. I found it by searching the phrase, "Should I buy a gun?" The question was irrelevant, as of that morning, but I asked anyway.

The site was addressed to anyone who thought he should own a gun but wasn't convinced it was right for him. It was written for the man I had been just hours before. It started like this:

Before you buy a gun the first thing is to look in yourself and ask, is a gun the right for me? If a bad guy threatens me and/or my family can I bring myself to pull the trigger and risk killing him/her? Will I live with myself after the taking someone’s life not with a knife but with a bullet?

I failed to see why it would be easier to live with stabbing a man than shooting him. A gun would be louder, yes, but if anything, I thought it would be far worse to stab someone and get covered with his/her blood than it would be to shoot an assailant from a distance, even a near distance. Yes, I thought, I could live with myself under these circumstances. I continued reading:

One of the most talked about but misunderstood part of the Bill of Rights is the Second Amendment. The Second Amendment is responsible for protecting many Americans from trouble, hostility and danger. Scholars have even said Amendment One and Two will change place, for freedom to speak will always turn to the gun for its defense.

Part of that was true, I thought. The second amendment was misunderstood. To Carol and so many others, amendment number two exists for the sole purpose of arming and boosting the confidence of rednecks. It's something they associate with drunken hunters, murderers, and Charlton Heston. I'd been inclined to see it that way, too, in my pre-pistol years.

Now things were different. Now I was a man with a gun in his house. And while I wasn't about to join the NRA or visit their website, I was exercising a right I'd never given a workout before. I had owned deadly things all my life-kitchen knives, cars, blunt objects heavy enough for murder- but they didn't have amendments devoted to them. Of all my possessions, my gun was the one our founding fathers had arranged for me to have the right to possess.

I shut my laptop and joined Carol upstairs. I placed my hand on her belly and gave her a husband's kiss. I didn't want to hold the gun that morning. I wanted to hold Carol.

 

JUST BEFORE I BOUGHT MY GUN I'd started to feel that whenever I entered a room I would not be able to leave it. "I don't mean this literally," I told Dale, my therapist, two weeks before I entered Lion Pawn. "I don't think an earthquake will level Kroger when I'm there and trap me under the wreckage." It was worse than that, I said. Certain places, certain rooms, were haunting me.

"But places," he said, "don't haunt people."

"Then forget the word haunting," I said. It was like I could still feel a room inhabiting me after I walked out its door. There were certain situations dinners with friends of Carol's, for example, friends who make no effort to hide that they want to sleep with her despite how married we are and how pregnant with my child she is-that I could not shake off. I would replay these evenings for myself and picture Carol's friend arranging herself as we entered the restaurant, so that she would sit beside Carol, leaving me at the far end of our table of eight. I watched her swill wine, put her hand on Carol's arm, and lean against her practically the whole time we were there.

And it wasn't just that. There was more to this than mere jealousy. There were other places I could still feel inside me. Like Kroger. When I stopped there on my way home from work one Wednesday, I'd had a bad interaction with a cashier regarding the accuracy of his scale. Our encounter ended with my hands shaking and everyone watching me sulk through the automatic doors. I couldn't return to Kroger for a month, I was so humiliated. And I couldn't tell Carol, because she would not understand.

Dale taught me a breathing exercise. Inhale for six seconds, hold for six, exhale for another six. But I couldn't do that constantly. I couldn't breathe like that when I was out walking.

FOR A LONG TIME the gun did not leave the basement. There was nowhere I wanted to take it, nothing I wanted to shoot. I loaded it often, but only for the sake of doing so. I would stand six bullets in a row on the desk, and slide them into their chambers, one by one.

Something guns have going for them is that they are sleek, metal objects. Other notable manufactured items have benefited from this status, Zippo lighters and pocket flasks among them.

My grandfather had a flask. It's small, but holds just enough to get its user drunk. His initials-JHC-are engraved on its front. I keep it in my desk, full of whiskey, but I never take it with me out in the world. That would be the surest sign of a problem. I don't want to carry a metal container full of the very thing that killed the man who owned it before me. I want to live long enough to see my child grow old.

No one carries anything metal anymore. All accessories for men are now plastic, like my phone and my most recent pre-revolver acquisition, an Amazon Kindle.

On my Kindle I was reading The Road, by Cormac McCarthy, a book my friend Jamey recommended. I thought it might enhance my reading experience to hold the gun in one hand and the Kindle in the other as I thumbed through electronic pages. I suppose there's something about the feel of a pistol that makes despairing prose go down easier. When Carol wasn't home, I would go to the basement and sit in my chair, my feet on the desk, and hold the unloaded pistol, dicking the hammer back and pulling the trigger with an informal rhythm.

I did not do the things you might expect a man in his basement to do with a gun. When news came of the death of Osama bin Laden-just one week after I brought the gun home-I didn't hold it aloft, or point it at the wall, picturing him there and wishing I could have been the one to pull the trigger that ended his life. I didn't imagine the gun's barrel in Saddam Hussein's mouth as he begged for mercy. Nor did I picture making Qaddafi beg, or Putin.

My gun did not make me feel powerful. Many men seem to own guns for that purpose alone. They want to be grave threats, and lack the patience for martial arts training. On message boards, they post footage of themselves at shooting ranges.

When I held my gun, I felt endangered, not dangerous. I was humbled. I knew what my gun could let me do, the swift end it could bring to my life and Carol's status as a married woman. There was fear in my fascination with the gun, but unlike other fears, like my fears of heights and spiders, it pulled me closer to its object.

I put the gun in my mouth on only one occasion. It was cold. It tasted, predictably, like metal. I held it there for a few seconds, then pulled it out. I put it back in my mouth a few more seconds and put it down, barrel wet. I hadn’t bought the gun for suicide purposes­ I could not do that to Carol. I merely wanted to experiment, and now the experiment was over.

THE NEXT TIME I SAW MY THERAPIST, I told him I'd bought the gun. He was dumbfounded. He said, "What possessed you to do that?"

The question irked me. I didn't want to list reasons. I wanted to discuss my latest enthusiasm. ''I’ve always been interested in guns," I said. "I didn't grow up around them, but I knew people who did. So they've never been that foreign to me."

"But Carol doesn't want you to have one. Right?"

"Carol doesn't know about it."

"You've hidden it from her?"

"If she wanted to find it, she could."

"Mark."

What followed was a long effort to get to the bottom of what it was that had led me to spend so much money on something so hazardous to my life with Carol, and to life in general. He dug through several layers of explanation, each of which was sufficient for me, but not for him.

"I think it has something to do with jealousy," I told him. "I think I've always felt resentful because Carol has The Clitoral Hulk."

Carol had spent the last three years on our local roller derby team. The Clitoral Hulk was her alias. She'd wanted to call herself The Clitoral Hoodlum, but that name was taken by someone in California. There's an online database of alter egos of all the roller derby team members in America, created so that no one uses a name that's already in use. When I learned about that practice, it seemed polite and ladylike to me, even if it led some women to choose aliases like Carol's.

The way Carol talked about The Clitoral Hulk among friends made it sound like she had a secret identity. She would refer to The Hulk as if she were another person, as if it weren't just Carol wearing roller skates and a homemade uniform. "I wanted something like that," I told Dale. "I wanted something to identify with that no one would expect."

Dale wouldn't take that for an answer. We plodded on. I tried to tell him about the beauty I see in the design of a good pistol, but he shook his head and frowned, looking at me like I was a stranger he'd rather not know. He looked at me like Carol had looked at me the night of our fifth date. For a second I thought he was doing an unannounced kind of role-playing, in which he played Carol and I played myself I told Dale I was sorry. "Sorry?" he said, looking more disgusted. "I am not the one to whom you owe an apology." He was as appalled as Carol would be if she found my gun.

"I want you to get rid of the gun," he said. "Take it back where you found it. Do the right thing, do it tonight, and come back next week."

 

I CALLED JAMEY and invited him out for drinks. I was holding my gun when I called him.

At the bar, he asked how Carol was doing. I asked after his pregnant wife. I didn't tell him I had bought a gun. Unlike Dale, he was not obliged to keep my secrets from Carol, so I brought up gun ownership as a hypothetical proposition. I said, "Is there anything that would make you want to buy a gun?"

He looked away for a few long seconds. Thinking. Sometimes he gets a look in his eyes that means he's got something good to say. He gazed at the bottles behind the bar, and said, "You could put all that money, all that manpower, into making anything." He took a deep breath and scratched his nose. "When you manufacture something, when you produce a thing that wasn't in the world before, you change the world. You can make an Elmo doll or a vibrator-those won't harm anybody. But when you bring a gun into the world, something that's made to do one thing, which is hurt people, you make the world more violent. More dangerous. You make it less likely that a person will make it safely from point A to point B."

He leaned aside and looked sidelong into my eyes.

I didn't tell him he was wrong. I didn't point out that a gun was just a thing, that its role in the world was determined by its owner. I didn't say that you could kill someone with a vibrator or an Elmo doll, that a human being could choke on anything, conceivably. Sometimes a gun is not a weapon, I didn't argue. Sometimes it's just a gun.

"I'm with you," I said.

 

A FEW NIGHTS AFTER I INVITED CRAIG to the same bar. Craig is different from Jamey- taller, for one, and with a beard. He doesn't orate the way Jamey will. Even though Craig is from rural Tennessee and I grew up in an upper-middle-class part of Lexington, and no one believes I'm from Kentucky when I tell them because I never took on the accent, I've always felt a certain kinship with him that I never felt with Jamey, who's from Vermont.

To my surprise, I didn't even have to introduce guns into my conversation with Craig. He brought them up himself. He told me about a man at his store who had come in looking for shotguns. "That's not a problem, usually," he said. "But this man had on a shirt that said, 'Fuck that bitch,' and this crazy look in his eyes. Something was wrong with his ears, too. I wanted to sell him some shampoo. I had to explain to him that we can refuse service to whoever we want, whenever we want, and we were refusing service to him. He did not take that lying down.

“He said, 'You kidding me?' He said, 'You know I can just go across town and get this same thing at another store.’” Craig shook his head.

“And then what?”

"I asked him what he thought he was going to do with his shotgun then. He said, 'What do you think I'm gonna do with it?' I said, 'I don't want to say what I think.' He laughed at that. He said, 'Listen, either you're gonna let me pay for this or else you're gonna pay for not letting me.' And that was it. I said, ‘Out.’

"He just walked away and I was like, Asshole, you think I don't hear this shit all the time?"

"Wait. You do?"

"Yes, Mark. Every day. Not usually like that. But you wouldn't believe the guys who come in to buy a gun. Normal people do it, but there are plenty of guys who look like they just wandered in off the street, like they were out for a stroll and just decided to buy a gun, and it's like, who knows what they're gonna do with it. Sit in their kitchen and start making a list, maybe."

I said, ''I'd buy a gun if I was allowed to."

"You say that," he said. "But I don't think it's true."

"I mean it," I said, and I told Craig what I'd been wanting to tell someone since I bought the gun. I told him about wanting a revolver, rather than any other sort of gun.

''And it has everything to do with that word-revolver," I said.

I went on to explain that revolver was a near-perfect word. Almost but not quite a palindrome, it evokes, in its movement, the smooth rotation of the gun's cylinder from one chamber to the next.

I thought Craig would be sympathetic to this. He probably says revolver several times a day. But he looked down at the bar. "Mark," he asked. "What makes you think you should have a gun?"

I explained that I've never been an especially handy guy, that I didn't grow up with a hands-on father, which I thought he'd understand, since he grew up without any father. No one taught him to fix a broken door or change a tire, and I never learned to do those things either.

I told him that when I'd bought a house with Carol, I thought I'd learn to patch a leaky pipe and replace a hinge. But it didn't work out that way. Most of the time I'm busy at my job. There's no need for me to fix things. If a pipe breaks, we call a man who comes from a long line of hands-on dads, and pay him to come fix it for us. In fact, if I suggest fixing something on my own, Carol calls one of those well­ fathered men instead, someone who knows what he's doing.

A gun, I told Craig, is a small thing that demands maintenance, a metal thing I could learn to take apart, reassemble, and clean. One reason to own a gun, I said, would be to learn how to really use something. "I can't do that with my Kindle."

Craig laughed, and for a second that was all he did. Then he said, "Well, I guess you do need a gun then," and he laughed some more as he returned his attention to his beer.

*

ONE NIGHT, A FEW WEEKS LATER, when Carol was asleep with our baby inside her, I went to the basement and withdrew the gun and flask from the desk. I took a long drink and laid the flask before me. At two in the morning, I beheld three objects from my chair-flask, gun, Kindle. I thought the whiskey would make me tired, but as the moments passed, my insomnia went unabated.

If my grandfather's flask had his initials on it, I thought, then the gun I'd chosen as my hand-held ornament should say something more than STURM, RUGER & co., INC. I wanted to make a mark on this thing for whoever found it when I was dead or in enough of a coma to make Carol give up hope. When I can't speak for myself, I thought, I'd want to speak through this pistol. I'd want everyone to know it was mine.

My father had given me a file as one piece in a tool set that served as a housewarming present. I said to Carol at the time that I could take his gift in one of two ways-a passive-aggressive acknowledgment of how he'd never taught me to use tools, or an apology for the same. At the desk, underground, I used that file on my gun, like a convict scratching at his bars, as if l were attempting to break out of something and into the barrel of the gun.

I tried to write my name across one side of the barrel, but when I got to the letter K, I made a mistake. Somehow the K looked more like an E, with one horizontal bar missing. It looked like I had started to write MARE but my arm had gotten tired and I'd stopped filing.

I couldn't fix it. And I wasn't about to return to Lion Pawn and buy a new pistol. I thought for a minute and did the only thing I could think of. I finished the E and-very carefully now-extended the word, as if playing a game of gun-Scrabble. When I finished, it read NIGHTMARE. It wasn't what I wanted, but it was better than MARE.

 

THE NEXT NIGHT I LAY AWAKE in bed, beside Carol, past midnight, attempting again to sleep. At 1:30 I went to the basement and sat at my grandfather's desk. I pulled the gun from its drawer. It said NIGHTMARE, but this word was irrelevant to both the gun and its owner. I sipped whiskey from my grandfather's flask. I would not risk botching another word. One side of the barrel read NIGHTMARE. The other side would have a series of notches up and down its length. It would be simple, I thought. It would be enigmatic. I went to work marking the gun's barrel.

When I finished, it looked like this: / / / / / / / / / /

It looked as if I'd made each mark after using the gun to kill someone. I put the file away. I put the gun in its drawer. I returned to my bed and didn't sleep until four in the morning.

 

THE NEXT NIGHT, I took my insomnia to the basement again, but this time I brought my shoes and clothes. Carol didn't stir. This would be, I decided, the first night I took my gun outside. I would creep out through the basement window. Carol wouldn't hear me leave from up in our room. If she woke when I returned to our bed, I would tell her I'd spent those hours downstairs with my Kindle.

In my jeans and jacket I walked our little town's streets, the gun buried in my pocket, in my hand. I didn't fire it. I didn't want to get arrested. I didn't want anything. I was just walking. The gun wasn't even loaded.

Two nights later, though, I took another late walk, and before I ventured out I loaded all six chambers. I had no plans to shoot anything or anyone, or to do anything in particular. I just thought as long as I had the gun, it might as well be full of ammunition.

 

THE NEXT TIME I SAW DALE, I told him I'd taken my gun back to the pawn shop.

He told me he was  proud  of me, that I  had done the right thing. I shouldn't tell Carol, he went on. It would only hurt her, and if she didn't know about it, no harm done. After a long sigh-Dale sighs often-he said I needed a mantra. That wasn't what he called it; he called it an "affirmation," but I had prior associations with that word and didn't want it to apply to anything that came out of my mouth.

He told me his mantra had helped him find a partner. Whenever he started to doubt himself in his long hunt for a good man in our small town, he had said to himself, "I deserve to be with the perfect man for me." He repeated these words many times a day. A few months later, he was with Jon, with whom he has lived for the last seven years.

I liked his mantra. It was simple. It wasn't for me, though. I had to come up with my own. Dale asked what I'd like mine to be. For a moment I thought he expected me to have my mantra figured out in a few seconds, but he told me I should think about it and tell him what I came up with when I returned.

All the rest of that day I tried out mantras in my head. I deserve to be with the perfect man. I am the perfect man for Carol. I am the perfect man. I decided I should lose the "perfect man'' foundation of Dale's mantra and make mine more specific to my needs. I am the man that I have chosen to be, I went on. I am what I have chosen to be. I am where I have chosen to be.

I am in the room where I have chosen to be.

I am in one room and there I have chosen to be. I will leave when I decide to leave.

When I decide to leave I will have left.

All the rest of that day, I recited mantras in my head. They continued to change, as if on their own, each one becoming the next without my influence.

 

WHEN CAROL AND I  FIRST MOVED to this suburb, we were amazed at how quiet it was at night. Before we moved here, we'd lived not far from Cleveland's city center, where there was constant noise out our window. At 1:00 a.m., at 3:00, at 4:00, we heard dogs barking, distant trucks, people shouting. Out here there is almost no noise at all, as if silence is something sacred to us and our neighbors, something we've agreed should never be disturbed.

Given that, one might expect a gunshot to make a stronger impression than mine seemed to make on my sixth walk with my gun, when I finally fired it. Despite the crack of the pistol and the flash, there were no consequences for what I did. I heard no sirens. Granted, the place I fired it was a footpath where no one seems to walk, especially at night. And the sound of the pistol wasn't nearly as loud as I thought it would be.

I hadn't seen the fawn until we were very near one another. She scared me. I was trudging through the poorly-lit path when I glanced aside and caught sight of her head, just six feet from where I froze. I thought she was a dog. I thought she was a pit bull poised to kill me. Her nose was tilted to one side. Her eye was on me. I don't recall raising the gun, which was already in my hand. I remember firing. I recall how hard I had to squeeze the trigger to make the gun go off.

When I fired, the barrel dropped a bit. I missed her head. I don't know where I hit her, but as I turned to run I heard her wheeze. I didn't think a deer could wheeze, not the way this one did. She sounded like a person, like a deathbed respirator. She exhaled only once before I ran as fast as I could run.

I was tempted to drop the gun, but didn't. I held it tightly all the way home. My heart was still pounding when I rejoined Carol in bed. I did not sleep that night.

*

ALL THE NEXT DAY, and the day after that, I checked the local paper online, at ten-minute intervals, for signs that someone had reported the gunshot or the wounded deer I'd left in the path. Nothing came up. Perhaps the police were keeping it quiet, or maybe dead deer don't get reported in the paper. I don't know. I didn't want to know.

I kept the gun in the desk for days, convinced I should get rid of it. I couldn't return it to the pawn shop, though. What if the police had warned them to watch for a gun like the one used on the baby deer? What would they make of the inscription I'd made? I might have thrown it away had I known where to throw it, but gradually I began to calm down. I have not fired it since, and not because I haven't had more night encounters with young mammals. I have had to think hard about what my gun means to me. I have weighed what it was made to be against what it has the potential to be.

The gun does not have to be a weapon. Like my grandfather's flask, it can be a kind of emblem. When I am dead, someone will find my gun. Whoever it is will not know about the deer or what I did in this basement when I still lived, but the gun will make a bold impression-certainly bolder than the Kindle's. It will be a sign that the people in my life did not really know me. It will tell its discoverer that there was more to me than they thought there was, that something in me defied recognition all those years I spent above ground.

 

I HAVE NOT GIVEN UP on my ever-changing mantra. I recite it through the fights I have with Carol that start when she asks why I am so distracted. I repeat it through our frantic drive to the hospital. I whisper it under my breath as I hold my son for the first time and an anaesthetized Carol dozes off.

I am in one room and there I am. I am in a perfect room.

I keep a perfect gun in a perfect room.

My gun is a perfect room.

I am nowhere but where I am.

I think my gun is my mantra. It makes a plain statement, an affirmation so simple, so perfect, it need not be repeated. And when I'm dead, it will belong to my son. He'll open the bottom drawer of his great-grandfather's desk to find a piece of me left intact, a piece he never knew, my gun, my mantra, and it will be as if he's hearing my voice for the first time.

Issue 72: Robert Long Foreman

Foreman

About Robert Long Foreman

Robert Long Foreman grew up in Wheeling, West Virginia and earned a PhD in Creative Writing at the University of Missouri. His fiction and nonfiction have appeared in journals that include Third Coast, Indiana Review, Massachusetts Review, Pleiades, and Mid-American Review. He won a Pushcart Prize for his short story “Cadiz, Missouri,” which appeared in AGNI, and has also won creative nonfiction contests at The Journal and American Literary Review. His essays were listed in the Notable Essays of Best American Essays 2008 and 2010. Robert teaches Creative Writing and Literature at Rhode Island College.

More Robert Long Foreman

Robert Long Foreman at Michigan Quarterly Review
Robert Long Foreman on Twitter

A Profile of the Author

Notes on “The Man with The Nightmare Gun”

When I wrote this story in early 2012, I thought I could see what would make someone want to buy a gun for reasons other than self-defense or murder. I have always known that guns are killing machines, and I’ve always been afraid of them, but I could find them intriguing up to a certain point. For a while, I considered taking shooting lessons, thinking that since guns are a part of this world I might as well learn to use one. In order to write the story, or certain parts of it, I had to have this curiosity.

Very soon after I finished writing, I learned that Trayvon Martin had been shot, and soon after that were the shootings in Newtown, Connecticut. Both events helped to change my perspective on guns dramatically, in a way that no other shootings ever did, somehow. I couldn’t understand—and I still find it baffling in the worst way—how it is that so many people have responded to what happened in Newtown by hoarding guns with a vengeance.

Every time I write something, I go through a period of thinking I shouldn’t have written it, and that was much worse with this story than any other I’ve come up with. I couldn’t write this story now. I couldn’t portray a man’s descent into gun worship, now that gun-worshippers are arming themselves at such an alarming rate, and have it turn out like this story did. I’ve lost all interest in guns, and I no longer understand how someone can want to possess such a dangerous thing.

Notes on Reading

The short story that must have had the greatest influence on this one is Richard Wright’s “The Man Who Was Almost a Man.” Both stories feature a protagonist who is unreasonably bent on acquiring a gun, and whose ownership of the gun has regrettable, similar consequences. It was not an influence I was conscious of at the time of writing; I forgot the details of the story until I taught it recently in a literature course. Even the titles are similar, though, so clearly Wright’s story was exerting its influence on this one as it came together.

I wrote essays and memoirs for years before trying out fiction, so that many of the writers who’ve had the strongest effects on me are essayists and memoirists, like E. B. White, Mary McCarthy, George Orwell, Eula Biss, Nick Flynn, James Baldwin, Anne Fadiman, Virginia Woolf, William Hazlitt, and others. The last great short story I read was E. B. Lyndon’s “Goodbye, Bear,” which appeared recently in One Story and reminded me of one of my favorite books, Lore Segal’s Lucinella.

I love reading, and I rely on it for more than I can say. At the same time, I cannot talk honestly about reading without mentioning how discouraging it can be, how often I’ll start reading a book with hope and enthusiasm, to then find I can’t get past page thirty or forty. I’m getting better at abandoning books at that point and moving on, but it’s very hard, necessary as it is to do so in order to reach the book that demands to be devoured whole.

 

“The Man with The Nightmare Gun” by Robert Long Foreman

Found in Willow Springs 72 Back to Author Profile I AM NOT A SERIOUS MAN. I thought Carol understood this about me by our fifth date. I thought it was something … Read more

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Issue 81 Cover shows Chris Bovey print of Spokane's famous garbage goat in teal and yellow with Willow Springs in decorative font.

“The Vinyl Canal” by Robert Long Foreman

Found in Willow Springs 81 Back to Author Profile The Vinyl Canal   IT STARTED  WITH  1999. Ben scratched his copywhen he dropped it on his bathroom floor. I don’t know … Read more

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Issue 81: Robert Long Foreman

About Robert Long Foreman Robert Long Foreman’s first book, Among Other Things, was published last year by Pleiades Press after winning the inaugural Robert C. Jones Prize for Short Prose. … Read more

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“The Saint Girl Opens the Window and Closes It as She Pleases” by Kathryn Nuernberger

76

Found in Willow Springs 76

The saint girl was wretched with desire. Even a slice of cracked wheat bread tasted like sex, though she didn't know to hear her throbbing tongue. She thought the discomfort was a perched holy spirit. She wanted less and less-even the clicking of old men's checkers was heat. Thank God her inner monologues were all rosaries or she might have heard herself say I want to fornicate those checkers.

The saint girl thought she would be saint forever, or until she wasted away to saint girl, spirit and reliquary of. She woke up one morning, despising the ribbon in her hair and the dry river of thirst running through her. She woke tired of her infestation of devils, most especially the vagabond house guest who called himself Socrates and invited his way in. He peppered her with Can we not assume? and What of? and Explain to me more clearly.

And maybe S. meant it when he said he could not follow her meaning. Maybe she had no meaning. Maybe to be left unspoken was the ideal outcome for ideal forms.

She only wanted to be lonely in that pleasant and thoughtful way loneliness sometimes feels. Virginity is one way to get people out of your house. Sex is another. The sky turning blue and blue and bluer still as you forget there is someone above you or below.

Issue 75: Dana Levin

Dana_Levin_photo_by_Anne_Staveley-e1456505075978

About Dana Levin

Dana Levin is the author of three books of poetry, most recently Sky Burial, which the New Yorker called “utterly her own and utterly riveting.” New poems and essays have appeared in he New York Times, Los Angeles Review of Books, Poets.org, Boston Review and Poetry. A grateful recipient of fellowships and awards from the Rona Jaffe, Whiting and Guggenheim Foundations, Levin teaches at Santa Fe University of Art and Design in Santa Fe, New Mexico.

A Profile of the Author

Notes on “Melancholia”

I’d been finishing a manuscript obsessed with End Times— which is to say, anxiety about the future: the one being built by the extreme polarities of our age, the one the global technocracy wanted to put in every hungry hand. Then, at Christmas 2013, a cousin killed herself. There’s a lot of bipolar disorder and clinical depression in my family; my cousin’s death— the third suicide in seven years amongst my cousins and siblings (two “accidental,” this one not)— threw me back into thoughts of my father, an untreated manic-depressive for most of his life. A rager, an eater: he was the Jupiterian god who ruled my house when I was young, a father I adored and feared. Even as a child, I sensed we shared an ambivalence about being alive, though mine I think was more situational than biochemical. It seems ironic, in retrospect, that that ambivalence found expression in excess: eating, buying, sucking the air out of a room. Not so ironic: hobbies of risk. The stories I always told about him— the one about the helmet and the crash, the one about the fight he picked on a stranger’s driveway, the car and the flood, the way he hoarded candy— surged for the first time to the page. I kept writing, even though the material seemed such a strange swerve out of my End Times orbit, but by later drafts I understood: no swerve at all, just a layer down, into one experience of the psychological underpinnings of civilization and its discontents, to use Freud’s by-now understated phrasing. Raging, eating, hoarding “candy”: what is this world suffering under but unfettered consumption and hobbies of risk? How else to understand what drives the choices we currently make and refuse to make where the earth, the collective, is concerned? From world leaders balking at eco-conservation to my father’s wrath at my mother’s attempts to limit butter— my own excesses with food and media— the drive of want, its daemon of lack and desire, is the same. And driving that: the mind straining against the bonds of the body. What then, future?

I wrote these father stories down in a conventional narrative mode and thought at first I might be at work on an essay. I could see the path to memoir unfurling, but something in me resisted. I wanted prose and I wanted a poem: the resulting form is the bargain struck. In terms of narrative and timeline, I felt an impulse to make the visible a little hard to see, to quote Wallace Stevens. Later, that felt psychologically accurate: we remember things in flashes, in memories and reflections out of temporal sync, blurs of dream and life. I threw my father’s heavy shade like a stone into a pond, watched associations ripple: movies, images, dreams. The world too seemed to be ruled by a bi-polar father-god, unconscious, suicidal; the way we were living under regimes of extremity, from weather to wealth. The poem built a thought-nest to brood an egg of knowing: why I am where we are.

Notes on Reading

I don’t think “Melancholia” would have found its final form without the influence of three books I read a couple of years before writing it:
Pam Houston’s Contents May Have Shifted, Craig Morgan Teicher’s Ambivalence and Other Conundrums, and, especially, Lucy Corin’s piece “A Hundred Apocalypses” in One Hundred Apocalypses and Other Apocalypses (my kinda book). All three work in short prose flashes; all three work with an economy and compression we associate with poetry. Teicher’s book especially blurs the thrum-lines between poetry and creative nonfiction; Corin’s between fiction and poetry. Houston’s book has ‘refrain’ sections (various tales of hair-raising plane flights—, horrifying!) that give it a sense of rhythm and return we find in poetry. I really loved the experience of reading these books: swinging from room to room, as it were, in the house of the larger piece; a modular, rather than linear, approach. As writers, I think we read to learn, even if we think we’re reading out of obligation or for pleasure. We read to find, and, sometimes, offer each other paths and permission.

 

Willow Springs 75 Cover shows pink pressed flowers on rough paper.

“Melancholia” by Dana Levin

Found in Willow Springs 75 Back to Author Profile 1 Dad and I on a summer motorcycle ride; I’m eleven. It’s incredibly hot, already, as we exit the pancake house. I … Read more

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“Melancholia” by Dana Levin

Willow Springs 75 Cover shows pink pressed flowers on rough paper.

Found in Willow Springs 75

Back to Author Profile

1

Dad and I on a summer motorcycle ride; I'm eleven. It's incredibly hot, already, as we exit the pancake house. I long to ride without my helmet: how cool it will feel, how I will have to close my eyes against the rush--just then Dad says, "Should we wear our helmets?"

 

2

It 's the kind of movie where a rogue planet named Melancholia is bearing down on the earth, but someone's getting married--she's very depressed. At the reception her boss won't stop hounding her to write better ad copy; her mother insults her while giving a toast. Unsurprisingly, she keeps trying to leave her own wedding: once to fuck a co-worker, once, incredibly, to rake a long bath. People keep trying to change other people's feelings. They cite "real scientists" and the broadcasted schematics: "They say Melancholia will just pass us by!"

 

3

Lying in effigy on the couch in the family room, home from work early and not saying a word--after days he'd get up and it'd be a party.

 

4

The first time I saw a picture of King Henry VIII, I couldn't believe he had been my dad. Star Trek's Captain Kirk, actor Brian Keith--one the blowhard Commander rake of space, the other as a diver with a laudanum addiction, sinking in a sea of hallucination as the Krakatoa volcano explodes.

 

5

Sometimes you meet your secret suicidal death wish with bravado and buy a brand new Datsun  280Z. When your wife goes out of town you promise your nine-year-old daughter you'll take her to dinner and you do, strapping your bodies into your rocket ship. You're about to turn left from the cul-de-sac where you live, when a car careens around the corner and nearly hits you. Enraged, you follow it to a driveway, and when it's parked you get out, demanding the teenage driver pay you some mind.

 

6

As if I'd known--not thirty minutes later, bike sliding out from us, taking the gravel in the curve. I blacked out for the bulk of it, but for the sudden apparitions, rushing round-mouthed from an old green car--then I was on the bike again and we were gunning the highway: Dad would have to have his broken shoulder set. In the hospital waiting room I hefted my helmet, turning it around, tracing the deep score and the drag--

 

7

"Yeah," I say. "We should wear our helmets."

 

8

Meanwhile, Melancholia approaches. You stop paying your taxes and soon, without telling her, you stop paying your wife's. You stockpile Leicas and stereo equipment; you bring home a big telescope we only use twice. You're about to die soon and you want it all for you. You're about to die soon because you have just turned fifty and you know you can never outlive your father: fifty-four years old and brained by a tumor. Sometimes it seems like you've quit going to work. Sometimes it seems like you're a traumatized Hansel, stashing candy in bags in a closet. And regarding those taxes: everyone said your father was a saint, but you always knew he was a secret gambler­ you've banked on the moon that blew up in his head.

 

9

What is a father, what is a star? Fathers blaze glorious at the edge of home planets, they explode above islands and boil the sea. Fathers blast in and flatten the forests: you're amazed, in the photographs, how many miles of trees.

 

10

In the dream, the royal family has died. Like all subjects, I'm being ushered into a room where I am to pick liquors from a cabinet: thus we submit to the annihilation of the king and his line. I am careful about what and how much I choose, because I am the father of an ordinary family, and I am deeply unsettled by the death of kings; I want to get out from under the eye of the cabinet functionaries, who stand watchful in their fur-lined cloaks--they flank the cabinet, which is portable and gilded like an altar. I choose two malt 40s for myself, because those are the spirits of the father; mothers receive liquors more delicate. I'm unnerved by the ceremony, by my own

 

curled-toed shoes--

 

11

Meanwhile, your daughter's trapped inside your rocket ship. She's fixed at the window, watching your rage, so private and familiar, batter a stranger. You ram into the kid and he rams you back, until you topple over--then he jumps on your chest and flails at your face. Finally his own dad comes out and pulls the boy off you. He says, "Go home--" pointing his finger just like you're a dog. And when you get back in the car, exuberant, bloodied, breathing hard--

 

12

Fathers get angry if you leave open the screen door or sell weapons to Syria, if you ask for some juice but only drink half. If the sprinklers soak through the morning paper, if there are too many leftovers in the fridge in foil--how then can  the fathers  target the drones? Use the wrong knife on a prime cut of meat and they'll set off the end of the world.

 

13

After the dinner you put on your coats and return to Dad's rocket ship. He's going to keep flying as if no one is shipwrecked, he's going to step on the gas of his disintegrating car--"Let's drive fast!" you cry and he says, " What road?" It's a thrill to accelerate and fly through the night. lt really feels as if you could go up and up, punching through clouds until you hurtle free into the whisk of stars--he slams on the brakes. It's been raining for days in your birthday desert, and there's a flood raging across the road. A giant tractor tire bobs by and sinks in the roil. You climb our of the car and stand next to your father, who says, "Look at chat--" enthralled by the surging water--

 

14

I wake up and decide the dream is stupid. I spend all day not writing it down. "But look," my sister says, when I later tell her about it. "You chose the spirit of the father."

“1978 Buick Station Wagon” by Ed Skoog

76

Found in Willow Springs 76

Back to Author Profile

Like a diplomat with an assassin

closing in, I never take

the same way home twice

through Topeka streets,

making string figure, stairstep

and spiral through neighborhoods

split and stitched across railroad

track, highway and river,

a new fugue for each journey.

I've never known anyone's body

as well as I learn those roadways

of the late 1980s, each turn the turn

an idea makes, luck-damaged

and sprawled. Make of that what you will.

I myself have never understood it,

how that unremarkable American grid

compels me to connect each street

with the bouquet of song I understand

clearest through battery-animated

cassettes unspooling

in passenger side boombox. And wider,

beyond the city, I want to hear

the whole concept album of Kansas,

drive to college towns for art and donuts,

remote chapels, the ice cream store north

with its one pinball machine featuring KISS.

I have a travel placemat from before

the interstate recommending stops

along scenic hi-way 24 including Topeka,

where at the Ira Price Cafe

½ mile east of the cloverleaf junction

breakfast is served any hour, and chicken

is a specialty. It closes at 9 p.m. on Saturday

and opens in time for church

but other than that is air-conditioned and modern

24 hours a day. Maps seem earnest,

even though expulsive, and experience

may not corroborate.

The people in the little houses of Kansas

look out windows and nothing

invisible is real. There is, the placemat

assures me, plenty of parking.