Three Poems by Andrea Jurjević

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"Nastic Movements"

 

Sweetness, back home

the Adriatic tightens around the shore

like a snake around a hot rock.

 

in each house on the island

there’s a table. on every table,

a loaf, round like a Slavic face.

 

ashes in the oven.

ashes on the domes of the bread.

ashes on the roof of one’s mouth.

 

last year my cousin died

alone in his house. our family—

scattered around the world—

 

got caught in a phone web,

catching up with each other,

and we forgot his body.

 

but things were funny: phone in hand,

someone picked her nose,

and pulled out a bloody fingernail.

 

another drew a hair—tough, tar-black—

from between her teeth, a pubic curl,

and wondered whose it was.

 

and, listen, in Sarajevo,

the fit ones ran through the Sniper Alley.

the rest took up dying.

 

longing is a trick, baby.

go inside a rock, a ringtone, the red coal of my tongue,

and you’ll only taste yourself.

 

babe. keep the curtains parted.

see the moon tossing her long white hair

across the ocean.

 

hear its steady, back-arching roar.

look at the chenilled strip of black sand,

that fool walking with a flashlight.

 

listen to the ocean and come apart

like a letter in rain. babe. even dandelions

lose their faces at night.

 

 

"Department Of Dream Justice"

 

I

 

I return home, sit on the pier and listen to rocks suck the sea like Frank Booth on blue velvet.

 

At dawn my sister yanks me awake, and the oval shell of the world cracks open. Boats gape like a line of polished funeral shoes.

 

A cortège of animals gallops fluently by our house, their muscular architecture covered with lush white wool.

 

The garden beds are dry, laundry lines bare.

 

Sister says, Come back soon.

 

We close our eyes, wish for rain

 

and wake in another dream: on streets of distant towns, each of us, alone, carries keys from our old house, looks to unlock a door

 

that fits the key.

 

 

II

 

Your palms close around the book of my hips. The minor tongue my hips are inscribed in.

 

Your palms, two walls within which I sing.

III

 

For years I spent nights drifting over wheat fields and vacant parking decks, and the wind whistled, whistled, whistled a long narcotic tune.

 

On the sandbank tonight shards of broken glass,

 

the river licking its shore clean, like a dog nursing its wound, and the moon, translucent, is a soap bubble on your glistening back.

 

My bones are hollow. There’s a quick flutter of wingbeats.

 

You turn, holding back the curtain of the night, and say, Baby. Don’t you see you’re home. 

 

 

IV

 

For eternity we’re a house on fire.

 

 

V

 

The man with a boat on a leash. The bailaor dancing naked in my living room.

 

The man eating sea urchins in his bathtub, spray-painting eels into silver bedroom whips, singing of hollow canyons.

The man with two pistols against his skinny waist. The man rapping about white knuckles.

 

My father eating goulash his mother fixed from his pet pigeons. How he sobbed in our sea-splashed house after she died.

 

The man with a horse torso digging a trench of doubt. American outage.

 

I have a fondness for tight spaces. I tell you about each one I tucked myself into.

 

The addict on the waterfront who always almost returned. The man who smelled of autumn. The man tearing along on his guitar like an overnight train, singing El dolor que tengo yo, el dolor que tengo yo.

 

 

VI

 

The swallows didn’t return this year, Sister writes. Their nests still line the eaves of the roof.

 

 

VII

 

Baby. I want to be a swallow. Smallest, bluest of them. Skim the surface of the sea at sunset. Feed in flight. Build a cup of warm mud in the cover of someone’s large house, wake up in the mornings, and while my children still sleep, feel like it is me who keeps them safe.

 

 

"Nevada Augury"

 

Because the desert renders everything boundless and bare,

undeserving of existence—like the self-loathing types you fall                    for—

 

you delight in it. The lone, sun-drowned shack doubling as Goldfield’s Radio Museum, its toilet planters, and P. K. yapping          about spy transmitters.

 

Oasis Avenue. Car Forest. The Dinky Diner.

 

Chip driving by in a giant truck, just off the testing site.

 

Wild Cat Ranch! Someone whispering, What can I do for you, sweetie, 100s of miles from anyone’s ears. Isn’t that what all of us want?

 

You adore what remains of Mina’s homes, its padlocks and boarded-up windows, bars across doors, No Trespassing signs.

 

And the mines, also abandoned, also disused, yet somehow like      homecoming.

 

The Death Valley. Oh, the Death Valley. Its hot grip, its erotic grandeur, its golden skin, and—

 

Look! In all that flax and rust, the two of us, sipping gas station coffee, small as two fools of Breughel’s, turning into desert sand.

“The Hive”and “I Wake”by Michael Hettich

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The Hive

 

Someone else’s loss, buzzing through the garden

like the bee that got under your shirt and landed

in your chest hair but didn’t sting; someone’s grief

right there like a stone in the almost-raining afternoon

with the smell of horse-sweat and mowed grass and hot

asphalt. You held my hand as we stood

at the fence and called out to those horses, and felt

the first raindrops and smelled the cooling road.

Someone else’s tragedy passing like an awkward truck

climbing our dirt road, unbalanced by the dead woman’s

bulky furniture, and the potholes. Someone else

looking out her window at the strangers standing

on the road squinting at her door as though

expecting it to open, then walking slowly on.

Down the hill, trucks rip out the clear-cut tree-stumps

and we think of the coyote who slunk across our yard

with a squirrel in its jaws, and we think of the bears

at our garbage. There were birds calling out like children

playing hide-and-seek, pretending to be hurt

somewhere deeper in the woods, and you tell me you love me

like fingernails, like hair; you love me like breath

when you’re sleeping, wrapped up in dust while the crows

in our closets make darkness from the clothes we never wear,

and the walls of our bedroom hum like swarming wasps.

 

 

I Wake

 

in the middle of the night to something moving

across the porch outside our bedroom,

sliding furniture around

and muttering. It’s raining, but I’m sure I hear footsteps,

 

so I hold myself still. The sprigs of flowering

dogwood my wife has collected glow

in the moonlight by the window; she snores peacefully

beside me. I’m naked. Today a red-tailed hawk

 

swooped across our garden, to vanish in the woods

before I was sure what I saw, so

I didn’t say anything. Later, we had dinner

with a friend who’s grown suddenly old, and as

 

we said our goodbyes, she told us again

about the day her husband left her,

out of the blue, when her adult children

were toddlers. It hasn’t stopped hurting she said

as she closed her front door. Driving home, I noticed

 

my wife was crying, face turned to the window.

I thought of pulling over, reaching out, asking her

to tell me what was wrong, but that road is difficult

to follow at night, and I wasn’t even sure

 

she was crying, after all, when I looked over again,

so I drove on in silence, keeping my eyes

on the road, respecting that darkness.

“Medicine” by Jackson Burgess

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You could spend half a lifetime trying to learn what another body needs, and believe me, I have, making eyes at the showerhead, poking holes in water balloons. My bad times brought me to Mercy Hospital, where I watched doctors flush saline through my veins and tasted nauseous ocean. Bad times fingering the hole in my neck where they threaded a tube to my belly, bad times grieving the veins they killed. Last night in a dream, I let the doctors catch my best friend because it meant I could escape, and then I watched through a window as they opened his brain. With each prod in a different place, a new part of him squirmed, until they’d learned to work him like a marionette. He looked at me in my window and said, Now look what you’ve done, and laughed. One time, I found my bad times in an orange bottle of codeine and discovered the funhouse behind my eyes. Rabbits and opossums congregated at my doorstep, bar backs looked at me like I was diseased. And in all my bad times, you were watching—I could feel you in the walls. I missed you like a hole misses its shovel, empty, full of air.

 

You could spend half a lifetime trying to learn what another body needs, and believe me, I have, making eyes at the showerhead, poking holes in water balloons. My bad times brought me to Mercy Hospital, where I watched doctors flush saline through my veins and tasted nauseous ocean. Bad times fingering the hole in my neck where they threaded a tube to my belly, bad times grieving the veins they killed. Last night in a dream, I let the doctors catch my best friend because it meant I could escape, and then I watched through a window as they opened his brain. With each prod in a different place, a new part of him squirmed, until they’d learned to work him like a marionette. He looked at me in my window and said, Now look what you’ve done, and laughed. One time, I found my bad times in an orange bottle of codeine and discovered the funhouse behind my eyes. Rabbits and opossums congregated at my doorstep, bar backs looked at me like I was diseased. And in all my bad times, you were watching—I could feel you in the walls. I missed you like a hole misses its shovel, empty, full of air.

 

“Introductory Element Comma Independent Clause: A Study of the Moon and Bees” By Tom McCauley

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1.

 

In the open parenthesis beside a conjunction, two commas nest. An independent clause, on its way to the apiary, spies them: two direct objects, of the mirror-tested species, building a home in the branches of a sentence.

 

2.

 

Somewhere, a vacuum roars. Afternoon crickets crick in the ear. At night, when the world quiets down, every room vibrates deeply like a turbine, so that if you stand comma-wise on an otherwise blank page, a low moon throbs in your head.

Replacing external sound with ceaseless inner noise is called tinnitus.

 

3.

 

When the independent clause considers a comma, it pictures a bird lying on its side. Then, the unclear referent adds more noise: the click of a predicate against subject, or a suddenly desexualized wailing under the moon after which we named the lunatics.

 

4.

 

Lunatic, from Latin lunaticus, originally referred to diseases people ascribed to the moon. It’s easy to blame things on the moon. For instance: madness, epilepsy, fever, rheumatism, tinnitus—often felt as an unending ringing, buzzing, chirping, whooshing and/or vibrating in the skull—and love—an unending same.

 

5.

 

Diseases rarely thought to be caused by the moon: melanoma, sunburn.

 

6.

 

Between 1765 and 1813, members of the Lunar Society of Birmingham called themselves lunaticks. Who were they? A dinner club of industrialists, natural philosophers, intellectuals, illustrious figures, and other nonrestrictive appositives in an age with little street lighting.

It is no longer polite to call someone a lunatic.

 

7.

 

Occasionally, let’s say after no sleep, the buzz of tinnitus may be mistaken for bees. This has caused at least one independent clause, walking past a leaf that grazed his cheek, to startle, suddenly cold in the summer, and look all around him for a predator.

 

8.

 

Anyone who’s ever been stung knows politeness is not the domain of honeybees.

 

The propolis they produce, when mixed with wood, gives redness to the violin.

 

9.

 

Honeybees exhibit chronic despair after being shaken.

Through pheromones and the dance language, honeybees invert this reaction to reintroduce a kind of prelapsarian bliss to the hive. Sadparty is their grammar. Like the moon, they have grown less successful over time; they make fewer nutrients; they get harder to see in the dark.

This is mostly our fault, we who invented politeness.

 

10.

 

“The Method of Lunar Distance”: in celestial navigation, the angular distance between the moon and another celestial body. Combine this angle and a nautical almanac to calculate Greenwich mean time. By comparing your calculated time to local time, the navigator may determine longitude. (Bees do something similar when they fan their wingpieces for landing.)

 

11.

 

The average ambient noise of cities has grown by about thirty decibels. Every three decibels represents a doubling of sound pressure. Cities are therefore one thousand times louder than the soft, grassy world we knew before language.

Long-term exposure to environmental noise may cause high blood pressure, headaches, insomnia, tinnitus, and hyperacusis—a kind of colony collapse syndrome of the ear. Hyperacusis amplifies everyday sound. The clinking of silverware on a dinner plate may cause the sufferer’s ear to spasm painfully; a lover’s laughter may hurt purely for physical reasons; semicolons keep various facts about the world from bumbling into one another.

 

 

12.

 

Beethoven suffered from both tinnitus and hyperacusis. During the Siege of Vienna, the unbearable loudness of faraway bombs drove him crying to his brother’s basement, where the famous composer jammed pillows against his ears to stop himself from exploding.

Several years earlier, he wrote the Moonlight Sonata.

 

13.

 

Ringing in the ears may be a warning sign of glioblastoma, a rare and aggressive cancer born in the brain. Average age of onset is sixty-four. In coronal MRIs the tumor may resemble a hive. Mean survival time is three months without treatment; treatment adds an additional nine to twelve months to this sentence. Imagine what you could do one year from now.

 

14.

 

The wooden sign saying Do Not Shake the Bees is sad.

How many bees had to be shaken for the dispassionate researcher to notice the chronic despair reaction, record it, and then puzzle over whether it was even worth mentioning? Sadder still: think of all the people who will disobey a sign because it’s there.

 

15.

 

All things can be related to one another given enough semicolons and time, the careful combination of which may add up to one independent clause containing everything: magpies and manta rays—the only nonmammals who understand a mirror; Beethoven and honeybees—doomed musicians who ceaselessly buzz; the moon and other distances. This phenomenon, known as grammar, was invented many years ago by self-aware birds who lost their feathers and out of unquenchable necessity built loud hives in the grass, called cities. According to laws these birds invented, every independent clause, no matter how complex, must end with a period, a question mark, or an exclamation point, the latter also known as a bang.

16.

 

Ending an independent clause with an ellipses is considered nonstandard, ungrammatical, uncool, against the rules, implying as it does a wish not to end, to leave things unsaid, to return at some indefinable point to itself . . .

 

17.

 

( . . . )

 

18.

 

Dear indispensable, unforgettable, independent clause,

 

Please do not shake the bees.

 

Sincerely, the moon

“Dani Bloom” by Andrew Furman

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SOMETHING STRANGE HAPPENED to Dani Bloom the spring of her sophomore year at Keys High. She became popular. Not popular in the general sense, like Katie MacAvoy (who decided to be Kate MacAvoy freshman year), or like Peter Button (who modeled designer jeans for the Burdines catalog), or like Dani’s pretty sister (who now attended the U of M on a swimming scholarship) had been popular. Dani, instead, gained credibility, which seemed to be what popularity was all about, amongst one of the smaller cliques. Its loose organizing principle, as far as she could determine, involved an aversion to athletic endeavor, aquatic or otherwise, and a predilection for long-sleeved and -panted clothing, plaid patterned and dark hued, totally ill-suited to the subtropics.

Dani hadn’t intended to fall in with this group. She was content enough in her lazy orbit at the periphery of the band-kid galaxy. But then one day in the caf she overheard a boy’s voice from the long-sleeved and -panted table across the narrow aisle behind her. If we only knew how to get out there it’d be so frickin’ gnarly. Which made her perk up her ears as she devoured her second bite of the bean and cheese burrito that everyone said was grody, but that Dani secretly savored. She recognized the voice. Roger Siefert, leader of the long-sleeved and -panted. A junior. Dani didn’t really know him. Just knew him in the sense that she knew everyone who’d grown up here. Knew him well enough to know that he combed his straight sandy hair over his left eye, because a fishhook punctured the pupil a while back and turned the black circle into a strange square. Fuckin’ way I’m going out there middle of the woods those mosquitoes, a girl’s voice chimed in, leaving out an awful lot of words. Pam Mohlief. Dani thought she knew the place they were talking about—there weren’t so many places of solid ground necklaced between bay and ocean in the nation’s southernmost county—but waited and listened as she sipped chocolate milk straight from the carton, wiped the dark foam from her upper lip. But it would be so frickin’ gnarly, Roger said. Whole building’s empty. Just sittin’ out there.

Yes, Dani knew where they were talking about, the abandoned five-story apartment building in the hardwood hammock north end of the island. When most locals thought about the finger of woods between the ocean and the highway, they thought about the drug-runners and their square-grouper cargoes, the “illegals” from Haiti and Cuba and wherever. So a lot of their neighbors didn’t mind the idea of a fancy housing development and a bunch of fancy new people on the scruffy site. But her mother had fought hard years ago to keep all construction away, had gone to court up in Miami and everything. Nina Bloom, leader of Concerned Citizens, owner of Native Blooms, the nursery bordering the proposed development. They had lost the case against the “concrete coalition,” as her mother called the greedy jerks—another thing she called them. Only reason Hibiscus Bay never materialized was that the developer went bankrupt after bulldozing a swath of hardwoods for a single construction road and putting up that one structure in the building plan. It had been years since Dani trekked out there with her mother to see the spooky building, years since she spent much time outdoors. Yet she found herself curious once again about the hammock and the abandoned building, perhaps only because Roger was curious about it, so maybe she was mostly curious about Roger.

“I know how to get there,” Dani heard herself say across the aisle. Roger swiveled on his bench and trained his good eye on her, the eyebrow above squinching like a caterpillar, as if he had just heard a miraculous thing he couldn’t quite believe, a dolphin or bear speaking rather than just a pudgy girl a year younger than him.

“Who are you again?” Roger asked. She could smell the spice riding along his breath from the clove cigarettes he wasn’t supposed to smoke.

Surely he knew who she was, just as Dani knew who he was.

“I’m Dani Bloom.”

 

THEY DITCHED SCHOOL the next day after lunch, Joey and Carrie and Kevin and Pam squeezed into the open bed of Roger’s Subaru Brat while Dani rode in the cab to tell Roger where to turn off the highway into the hammock. The hammock trees either side of the road lashed the asphalt with their darker shadows once they reached the north end of the island. She kept one eye on the opposing traffic in case her mom was driving down from the nursery, in which case she’d duck beneath the dashboard. Music without a discernible melody thumped from the speakers, featured violent guitars and wounded vocals. Dani didn’t mind the music as it took pressure off having to think of what to say to Roger. He tapped the inside knuckle of his thumb against the stick to what Dani supposed was the beat. He seemed to have bitten his nails right down to the nub, leaving angry red crescents where more nail should have been.

“You like the song!?” Roger shouted to be heard.

“Sure!” She could only pick up isolated words and phrases above the instruments—I just don’t care no more . . . midnight sun . . . drinking whiskey baby . . . I don’t care no more—but sensed that the actual words weren’t really so important.

“It’s Cat Butt!”

Dani nodded to hint that she knew the band without having to lie outright that she knew the band.

“Yo! Put my Screaming Trees tape in!” Kevin shouted bossy-like over the wind and music through the cab’s small rear window, slid open. This was another organizing principle of the clique, Dani soon learned: an appreciation for obscure rock bands featuring violent instrumentals and wounded vocals, and a principled aversion toward any music that a DJ might actually play across the staticky FM airwaves from Miami.

She told Roger to turn when they got to Loquat rather than stop earlier beside the narrow asphalt road carved directly into the hammock, the road laid by the developers for their heavy construction equipment and already halfway greened over, hardly visible from the highway.  She had Roger drive down Loquat pretty far before parking on the scruffy berm. It would be a long trek from there through the hammock to get to the abandoned building. This way, though, Sheriff Hansen or the DEA or Border Security police or whatever wouldn’t spot the suspicious pickup parked alongside the main highway, and this way the hike to the abandoned building would seem more impressive.

“Follow me,” she said after her new friends spilled down the sides of the truck bed. (The tailgate latch was frozen shut.) She blazed a trail between the stopper and gumbo limbo and pigeon plum and ironwood and strangler fig and the other trees she once knew but wasn’t sure of anymore. The trees were tall, but spindly on the whole, competing for space and light. The air was still inside the hammock, the thicket cutting whatever sea breeze there might have been. There wasn’t much birdsong, hot as it was middle of the day, just the sizzle of cicadas and stuff. The bugs and the quiet sounded a lot better to Dani than the Cat Butt or Screaming Trees music.

“Rad,” Joey said just a few minutes into their walk, as if he’d never been outside before. Joey dyed his hair black, which made his pale skin seem even paler, made Joey seem even stranger for a Keys kid. Roger seemed to be saving his breath. She could hear him sort of huffing behind her.

It was actually easier to blaze a trail through the hammock than most people figured, the few people, anyway, who thought about the hammock at all. There wasn’t too much undergrowth since there wasn’t too much soil, Dani’s mother had once explained. Just a thin crust of limestone and marl and sand beneath the leaf litter, which crunched beneath their feet. She knew there must be white stopper around someplace, because she could smell its skunky smell, a smell she liked and didn’t realize she missed until now. When did her mother stop pestering her about joining her at the nursery on weekends, about joining her on her scouts through the hammock for seeds and cuttings? She waited for Roger or one of the others to ask about the skunk smell, because it sort of smelled like pot, but no one did. Then she heard from somewhere high in the canopy the loopy sentence of a vireo, like it was beer-buzzed. She remembered what vireos sounded like. Cool.

“Anyone bring the frickin Cutter?” Kevin asked, just a moment after Dani heard the smack against his neck.

“Shit, no, forgot.” Joey.

“Fuckin Joey.” Kevin again, as if bringing bug spray was assigned special to Joey. “You suck.”

Kevin was a dick-weed, Dani decided.  It seemed like lots of people with red hair were dick-weeds, which couldn’t be true as a general thing, which was why she didn’t let herself believe that Kevin was actually a dick-weed until just now.

“Here, hold up a sec.” Dani strayed off her northeast line to tear off a few broad leaves from a beauty berry shrub, trotted back to hand them out to everyone. “Scrunch up the leaf a bit and rub its juices up and down your arms and stuff. Works almost as good as DEET.” Her friends obeyed, even if they were a bit slow about it.

“Stinks like cat piss,” Kevin said.

“You watch, like, Mutual of Omaha or something?” Which might have been a compliment, but not the way Carrie said it. Her lip curled to flash her dog-tooth. Pink blotches with erratic outlines had erupted across Carrie’s neck right up to her cheeks, as if she was allergic to the outdoors. Carrie must have dyed her stringy hair to make it darker, too, like Joey, because the dappled sunlight brought out the brown in her eyebrows below her overgrown, side-swipe bangs.

“Shut your face, Carrie,” Roger defended Dani as he stirred up froth on his arm from the rising sweat and the beauty berry goo. She could see the veins bulging from his forearm, either from being strong or just skinny. He flashed a smile at her below his sandy mop of hair thrown over his bad eye. Some of the hair was darker now from his sweat and stuck to his skin.

They blazed on. It took only a matter of minutes tromping through the foliage for Dani to solve the social calculus of the clique. Joey liked Pam (because he walked just in front of her along the path Dani blazed and held the branches rather than let them snap in her face), but Pam liked Roger (because she never said thank you to Joey and only seemed to call up ahead to Roger), and Carrie liked Roger too (because Pam liked Roger), which was interesting because dick-weed Kevin liked Carrie (he’d been scoping out her butt ever since they started walking and used the mosquitoes as an excuse to smack her thighs and calves now and again through her ratty 501s). Dani couldn’t tell who Roger liked. She heard the loopy sentence of a vireo again, wondered if it was the same bird following them.

Then she heard a human noise that startled her, a thwacking through foliage up ahead. They all crouched in catcher’s stances. Roger’s furry calf (he wore shorts today and a normal-looking T-shirt on account of their hike) brushed up against Dani’s smoother thigh. Along with his beauty berry smell, she could smell his soap or deodorant or whatever mixed up with his natural Roger smells, which reminded her of Campbell’s Chicken Noodle Soup, which wasn’t such a bad thing for your B.O. to smell like, she decided.

“Is it the cops?” Pam sort of shout-whispered, crouched behind Kevin.

“Shh . . . no,” Roger shout-whispered back, peering toward the old woman wearing binoculars and a ridiculous straw hat. Dani could see the lady through the thin understory. She had stopped in her tracks, scanned the canopy.

“It’s just an old bag,” Kevin said, sort of below his normal voice but not in a whisper, as if he didn’t know how to whisper. “A frickin old bag with binoculars. What the fuck she got binoculars for?”

“Shh, she’s bird-watching,” Dani whispered. It was Mrs. Holtkamp. Joy Holtkamp. She’d been the secretary for her father back when he lived at home and worked at the community college. She lived with a homosexual nephew down on Big Pine, because she never had any children and her husband had pitched his car over the Seven-Mile Bridge a long time ago. Her father never liked Mrs. Holtkamp much—the students called her Joyless, he told Dani—but she was always nice to Dani the few times she had to go to her dad’s work, rifled through her desk for butterscotch candies Dani didn’t much like. Mrs. Holtkamp couldn’t have been much more than thirty yards up ahead. She seemed to be looking up into an enormous strangler fig, in particular, lifted her binoculars to her eyes now and again. The binoculars had strange straps that went around her neck and shoulders and back.

Some leaves and sand crunched behind Dani. “For fuck’s sake, Carrie,” Kevin said in his strange low voice that wasn’t a whisper. Mrs. Holtkamp heard the crunch, or maybe heard Kevin’s stupid voice, or saw his stupid red hair, because she lowered the binoculars and swiveled her head toward them. “We’re screwed,” Kevin said. Dani could see Mrs. Holtkamp gazing toward them, though it was tough to know exactly what she could see through the branches and stuff. Then Mrs. Holtkamp did a funny thing. Rather than walk toward them and find out their names or something, she turned back around and walked away, veered westward sort of back toward the highway.

“Lucky,” Pam said in her normal voice as they all rose, Mrs. Holtkamp having vanished into the woods.

For reasons not altogether clear to her, Dani wouldn’t reveal Mrs. Holtkamp’s identity. She led them onward. Before long, the hardwoods gave way to shorter thickets of mangrove and buttonwood, discernible trails of hard sand and limestone between. The sun seared Dani’s flesh on her face and forearms, no longer protected by the mottled shade of the canopy. Dani and the others swatted the air in front of them as they walked to shoo the chaos of sand flies, which danced whirligig all about. Instead of stopper-spice, the thick air smelled mostly of sulfur now from the mangroves.

“Who cut the cheese?” Kevin.

“P.U.” Carrie.

Roger still didn’t say much of anything, seemed to concentrate extra special on his steps as if he was worried about fire-ant holes. He wore black canvas Chuck Taylors below his shorts, the laces all shredded.

“I like the smell,” Joey said, which made Kevin rag on Joey with a series of all-purpose, nasally ragging phrases. Dani wouldn’t tell them that she liked the mangrove smell, too, which smelled like rotten eggs, and which she wouldn’t have liked if it was actually rotten eggs and not the mangroves. Which was weird, maybe.

It seemed to Dani that they ought to have reached the building by now. She was just starting to worry that they were lost when the cinderblock peeked out from around the mangroves, blotting out the sky, freezing them all in their tracks. The builders hadn’t gotten around to covering the concrete siding with stucco or whatever before they went bankrupt, which made the ugly building middle of the mangroves look even stranger. Her mother and most everyone wanted the eyesore demolished and removed, but who was going to pay for that?

“Dani, you’re amazing!” Roger said, speaking finally through his huffing breath. His words made something shift inside her. When was the last time someone had paid her an actual compliment?

Plywood sealed all the first floor openings—KEEP OUT! DANGER! painted orange across most of the sheets—but it didn’t take long for them to find a way inside. Someone had torn a seam out of one of the coverings with what might have been an axe or crowbar. It was dim but not dark inside on account of the light streaming in from the torn-open plywood and from other gaps in the openings that Dani hadn’t noticed from the outside, twinkling like stars.  It was oddly cool and damp and smelled bad. They gazed about, silent, at the large space they had entered, accented by metal piping and spindly planks of wood that might have framed discrete rooms. The builders hadn’t completed as much of the inside as Dani thought.  They surveyed the entire level between the maze of wood and metal, the smooth concrete floor accented by archipelagoes of dented beer cans, ash from whatever it was that other intruders had smoked, and dark turds from whatever animals had sought refuge inside, which sort of explained the bad smell. Rats and raccoons, mostly, Dani guessed from the scat. Bats, maybe.

“Who wants to check out the upstairs?” Kevin asked once they reached the concrete stairwell near the center.

“I’ll go,” Pam said, and Kevin said cool, so maybe she’d been wrong about Kevin liking Carrie and Pam liking Roger. Dani wondered whether they’d make out up there, or even go all the way, because what else was there to do all alone up there? Carrie and Joey wondered too, because that’s what they ragged Kevin and Pam about once they were gone, lighting up their clove cigarettes as they sat against a wall in one of the cleaner corners.

Joey called kissing sucking face.

Carrie called it Frenching, which was sort of a prude thing to say. Roger just called it kissing.

“You want one?” Roger asked, holding open his pack of cloves before Dani.

“Sure,” she answered, plucking one of the dark cigarettes from the pouch more awkwardly than she had planned.

“You don’t have to smoke, Dani, if you don’t want to.”

“I know.”

 

DANI NOW SAT at the long-sleeved and -panted lunch table in the caf instead of at one of the band tables, unsurprised that none of the other clarinets, or any of the woodwinds for that matter, asked her what her deal was. During the too-short lunches, she quietly chewed her burrito or shepherd’s pie or chicken a la king and listened as her new friends nattered on about this or that. Every once in a while, she located a small space to merge onto the traffic, but mostly she just listened, like the rag-tag other sophomores and freshmen at the table, who seemed like wannabes to Dani. They occupied positions of lesser credibility than Dani, it was somehow clear, even though they wore long-sleeves and pants, plaid-patterned and dark hued, while she still wore short-sleeve T-shirts and shorts—mostly solids—in brighter hues. Roger frequently sat next to her and spoke to her (so maybe this was why she ranked above the wannabes), and she learned a few things about him. He packed his own lunches, because he hated the food in the caf and his mom left for work really early. She worked behind the lobby desk at the Lodge in Islamorada. He liked mayonnaise on his roast beef, which was sort of gross. It was his father who cast back his line at the Seven-Mile Bridge and caught Roger’s eye with his baited hook when Roger was eight. Roger’s father lived in Miami now, like Dani’s father. Roger was allergic to strawberries. He could still see out of his bad eye. He and Joey were re-taking Composition this year with Mrs. Pavich, because they turned in the exact same final paper on Lord of the Flies last year. Joey had been the one who actually wrote the paper. Roger’s favorite TV show was Beavis and Butt-Head. Roger, Dani learned, wasn’t very smart. But that was okay.

His favorite band was Gruntruck. And Cat Butt.

Pam liked 7 Year Bitch and Hole.

Kevin liked Screaming Trees, and ragged on Dani when she called them The Screaming Trees. Because he was a dick-weed.

Carrie liked Dickless.

Joey didn’t seem to have a favorite band.

 

WHEN THEY DECIDED to ditch school next to hang out in the abandoned building, Roger carried his boom box with him, and Pam and Carrie toted a few beach towels over their shoulders so they wouldn’t have to sit right on the damp and dirty concrete, and Kevin somehow got his hands on two six-packs of Pabst Blue Ribbon, which was a really good beer, he said, and Joey remembered the Cutter so the mosquitoes and sand flies didn’t bother them so much in the hammock. She was glad when Roger sat next to her on a towel against the wall after clicking down the PLAY button on the boom box.

“Cool, Dickless,” Carrie said, sitting cross-legged near Joey, squinting her eyes funny as she inhaled her clove. Dani couldn’t understand one word of whatever song it was, couldn’t really tell if it was a boy or a girl screaming the lyrics, but guessed it was a girl-band, because what sort of boys would call themselves Dickless? She didn’t really like the taste of the too-warm beer, its harsh fizz against her tongue and throat, but she liked the way it felt to hold the sweaty can and the lit clove in the same hand, the cigarette jutting from between her fingers, her pinkie tapping the sweaty can to the beat of the music. It occurred to Dani that even though she couldn’t understand any of the words, she liked the violent rhythm of the guitars and drums, which might have been because of the beer. As she sipped her Pabst and smoked her clove (you had to inhale pretty hard), she gazed over at Pam, folded inside the nest of Kevin’s arm (he wasn’t such a dick-weed to Pam), watched as Pam reached across Kevin’s plaid belly to scratch the fur of his other arm with her black nails while Kevin sipped his beer. The gesture struck Dani as so tender that it made her throat thick, but that might have been the beer too, which was starting to fuzz up her eyes. They were definitely doing it, Dani decided, even before they picked up their beach towel and walked off upstairs.

Then, Joey and Carrie rose silently from their towel and walked off into the shadows, as well. Next thing Dani knew Roger was kissing her and she was kissing him back. She could taste the cloves and beer stronger on their tongues as they kissed. Which was weird. He sort of lowered her down onto the towel, his face looming over her face. It felt good to rest her neck on the hard floor. Perched over her, Roger’s sandy hair floated away from his funny eye, which didn’t look any different to Dani than his good eye, maybe because both eyes were so black with his pupils in the near-dark. Then he did some things to Dani that she hadn’t let anyone do before, and she did some things to him that she also hadn’t done before, and then she had to tell him that she wasn’t ready yet to do the next thing he had in mind, which didn’t seem to disappoint him very much. Maybe because he wasn’t a dick-weed like Kevin. And maybe because she’d said “yet.”

 

IT FELT GOOD to walk off her buzz when they finally headed back to Roger’s pickup. Egrets or herons gossiped invisibly from the mangroves, squawking and making stranger clacking noises—spoonbills?—rousing her further. The sun painted her lips with its hot brush, the lips raw from Roger’s grown-up bristles, which was probably why she felt the sun so strong on them. The hammock air when they reached the hardwood canopy felt thinner and lighter in her chest. She walked at a steady pace, sort of zoned-out, or maybe she was zoned-in—“wait the fuck up,” she heard Kevin’s voice from the rear—savored the spicy air in her nostrils filling up her lungs, the rising warmth in the muscles of her thighs and calves, which she decided were strong and not so chubby, after all. It was sort of a game she played with herself to see if she could blaze a path through the spindly trees without breaking her stride.  She watched out for poisonwoods and machineel trees and snakes, although she didn’t think there should be cottonmouths so far away from the water. And then a human voice from up ahead startled her.

“Danielle? Is that you?”

Her friends skidded their sneakers across the leaf litter to hold up behind her. Carrie, or maybe it was Pam, let out a little yelp, as if they’d just been confronted by a skunk ape.

“Yeah. It’s me,” Dani replied. Her eyes trained arms-length to part the dense foliage, she only now noticed the person farther off attached to the voice. It was Mrs. Holtkamp again, wearing that same stupid straw hat and the binoculars with the complicated straps. There seemed to be some sort of paste smeared across her nose too that wasn’t rubbed in all the way. Mrs. Holtkamp asked if she might have a word with Danielle alone so Dani told her friends to walk the rest of the way to Loquat without her. She’d meet them at the pickup. Mrs. Holtkamp waited until the others were well clear before saying anything.

“I thought I recognized you, Danielle.” Dani nodded. “The other day, too.”

“Oh.” So Mrs. Holtkamp had seen them. “Yeah. I guess.” Dani didn’t see any point in lying about it. She glanced at the old woman’s eyes, then glanced away. She wasn’t sure where she ought to look, settled on a millipede creeping across the leaf litter, crossed her arms beneath her chest.

“So . . .” Mrs. Holtkamp let the so hang up in the air between them for an awfully long time, inflated her lungs with a gulp of spiced hammock air and exhaled loud before her next words . . . “this is what you’re doing with yourself these days?”

Something about the way Mrs. Holtkamp spoke the words told Dani that she wasn’t trying to be all judgy or anything, that she was asking an actual question. She truly wanted to know if this was what Dani was doing with herself these days, ditching school and tromping through the hammock to smoke cloves and drink beer (both of which Mrs. Holtkamp could surely smell on her) and fool around with boys (which Mrs. Holtkamp could probably guess).

“I don’t know,” Dani answered, uncrossing her arms, but keeping her eyes mostly on the leaf litter. “Maybe . . . . It’s not, like, every day or anything.” A gnatcatcher wheezed from up in the canopy, as if to scold them for trespassing.

“So you’re okay then?” the old woman asked. “Those are your friends?” Dani lifted her eyes and told her yes, that she was fine, that they were her friends, while the gnatcatcher continued to wheeze, above. She lowered her eyes again to the leaf litter, but could see Mrs. Holtkamp’s straw hat bobbing as she nodded, weighing Dani’s words.

“You have to be careful, you know,” Mrs. Holtkamp stated more than asked, waved a thin hand before her pasted nose to shoo away an insect. She was talking about sex, Dani knew.

“I know,” Dani answered.

This seemed to satisfy Mrs. Holtkamp, because she looked up into the canopy for the gnatcatcher and asked in a brighter voice how her father was doing in Miami. Dani told Mrs. Holtkamp that her father was fine. “I wonder about him sometimes,” the old woman continued, looking through her binoculars now, so Dani told her this time that he was doing good, upgrading his status.

“And your mother?”

Dani told her that her that her mom was good too. Busy. Then Mrs. Holtkamp lowered her binoculars, told her that she saw her mother time to time at the nursery, which might have been a threat, but sounded more like it was just something to say. Even so.

“You gonna tell her you saw me out here?” Dani folded her arms again beneath her chest, looked into Mrs. Holtkamp’s eyes to see what she could see.

“No, Danielle.” Mrs. Holtkamp sighed. “I don’t think so.”

 

FOR SUPPER THAT NIGHT, Dani and her mother sifted through the layers of Stouffer’s lasagna, Dani collecting as much ground meat on her fork as she could and shedding the flavorless, pasty cheese. The table didn’t seem so big back when Dani’s father and sister lived at home.

Her mom still smelled like plants and dirt from the nursery, redolent above the supper odors. She smelled just like the hammock, it occurred to Dani. Between bites, her mother asked “how was school?” because that’s what she always asked, and Dani told her it was “fine,” because that’s how she always answered. Then her mom asked if Dani would be okay doing homework on her own later for a couple hours so she could “go out” and Dani said “sure,” and then asked where her mom had to go, and her mom said “just out,” flipping through one of her nature-y magazines, and then Dani knew it wasn’t a Concerned Citizens meeting so asked “with who?” and her mom said, “just a friend.” Which meant it wasn’t Mr. Conrad, anyway. Then her mom told her to eat some of her salad, too, not just the lasagna, maybe because she didn’t want Dani to get any chubbier, or maybe just to keep her from asking any more questions.

Dani was glad that her mom wasn’t seeing Mr. Conrad anymore because he’d been Dani’s sixth grade teacher, which made it totally creepy, and there was no way she was ever going to call him Bruce, like he suggested. But Dani’s mom was seeing someone new now. Because she was going out on a weeknight, which she hardly ever did, and she’d gone out the last two Friday nights with “just a friend,” too. (Saturday nights her mother still took her bowling.) Her mom had dated at least three men now since the divorce who Dani knew about, the first two of whom had been “just a friend” for an awful long time before Dani had met them and learned their names. Dani didn’t really hate them, but didn’t like them, either, because they acted too nice to her, which wasn’t really the same as being nice.

Dani speared three crescents of celery onto her fork and swished them around in the Ranch dressing on the bottom of the plate, lifted the morsel to her mouth. Sometimes her mom got angry at her for dousing her salad with too much Ranch dressing, but she didn’t seem to notice tonight, even though she’d stopped reading her nature-y magazine. Her mind was probably on her date. Dani tried not to think about it, but sometimes she wondered about her mom and her men and the sex stuff. The logistics. Like, did grownups even bother with second base? That sort of thing.

Pam called sex bumping hairs, which was disgusting.

Roger called sex the bone dance, which was also disgusting. But funny.

Kevin called sex screwing, like most everyone.

Joey called sex the horizontal lambada, which he must have picked up from that stupid movie.

Carrie called sex sex, which was boring. Sort of like Carrie.

Dani’s mom cleared her plate and started rinsing it in the sink and scrubbing it with the sponge all brisk-like, brisker than usual, probably because Dani had said it was okay for her to go see her “just a friend” and she needed to shower off all her plant and dirt smells, maybe spray on her Vanilla Fields or Sunflowers perfume.

“We’re still bowling Saturday night, right?” Dani asked.

“Of course, Dani.” Her mother turned from the sink to answer, twisted off the fizzy stream from the faucet. “You sure you’re okay, sweetie?” she asked, parentheses rising between her eyebrows.

Which sounded sort of strange, because Dani didn’t remember her mother asking if she was okay the first time, not exactly, but Dani told her yes, she was okay, because that’s how she always answered when her mother did ask her if she was okay, and because she was okay. Mostly.

 

THE NEXT TIME DANI DITCHED SCHOOL and blazed a trail through the hammock with her new friends, she found herself scanning the foliage for Mrs. Holtkamp’s goofy straw hat. Not because she was hoping to avoid her, but because she hoped she might see her again, which was sort of a surprising feeling to feel. It bummed her out when they got to the abandoned building without spotting her. She didn’t want to smoke cloves today (no one had brought any beer or anything), maybe because she was bummed about not seeing Mrs. Holtkamp, and maybe because she found herself having less and less to say to Roger and the others at lunch in the caf the last couple of weeks.

She let Roger kiss her and stuff today, but she wasn’t too into it. Roger could tell, because he stopped sort of in the middle of feeling her up and said, “You’re not too into it, I can tell,” and so she explained that she was just distracted over stuff (not mentioning Mrs. Holtkamp, which he’d find totally lame), and then she started saying a bunch of stuff to make him feel better, stuff she’d never had to say to anyone before. Roger just lifted his palm and said, “It’s chill,” leaned back up against the damp cinderblock wall, turned up the volume on the Gruntruck song—It’s alright I’m doing fine, as long as you’re above me, it’s okay I’m doing fine, as long as I’m below you—and felt around on the concrete floor for the clove cigarette he’d left somewhere. She leaned over and started kissing him again, because it was nice of him to be chill about it instead of sulk or whine or, worse, whip out his boner and pressure her to finish what they started, like dick-weed Kevin would probably do. The more they kissed the better it felt, even down there, but not really because she was so into Roger, anymore, which sort of bummed her out. She wondered, as his breath got all panty between his kissing and pawing at her, whether she ought to just let him go all the way and get it over with, realized the next instant that this was probably a stupid reason to do it even before it occurred to her that Roger probably didn’t have any rubbers with him, anyway.

It’s alright I’m doing fine, as long as you’re above me, it’s okay I’m doing fine, as long as I’m below you.

 

DANI SORT OF HAD A FEELING Roger had brought along rubbers the next time they ditched school for the hammock, because he’d worked in rubbers as a general topic of conversation three times that week at the caf, and because the third time he made sure to mention that he carried “at least” one rubber in his wallet, to which Dani replied, “Noted,” which was a pretty killer response—and which made Joey and the wannabes laugh—but which might have been a bit too encouraging to Roger.

So it was probably a good thing that Dani spotted Mrs. Holtkamp’s straw hat a good distance away before they made it to the mangroves and the building. Dani told the others to go on up ahead, that if she didn’t meet up with them not to worry. She’d get a ride. Roger sort of made a farting noise through his lips. She didn’t quite know how to read the farting noise, but it didn’t sound very nice, didn’t sound very Roger, and only stiffened her resolve.

“You all know the way now,” she said. “You don’t need me anymore.”

Roger and the others shuffled off across the leaf litter, parting the thin hardwoods more violently than necessary. Watching after them, she was relieved that she could stay outside in the hammock today rather than go inside the dank building to make out with Roger. The hammock, she realized, was where she wanted to be.

Mrs. Holtkamp lowered her binoculars upon Dani’s approach, didn’t seem the least bit surprised to see her, maybe because she’d already spotted Dani from a ways off, even though she’d been mostly gazing up into the trees. Or maybe because when you got so old nothing really surprised you anymore. Which was sort of sad.

“Hey,” Dani said, lifting her palm, her voice piercing the sizzle of the cicadas and the sweeter Morse code chips of the little birds up there in the canopy.

“Hello, Danielle,” Mrs. Holtkamp flashed mossy teeth, then covered them up just as quickly with her thin lips, trained her binoculars back up into the foliage blocking most of the direct sunlight. Every once in a while, Dani heard a raspy zheep that interrupted the sizzle of the cicadas and the sweeter Morse code chips of the warblers or whatever. Some sort of flycatcher, Dani knew enough to know.

“What do you see up there?” she asked.

Mrs. Holtkamp lowered her binoculars again, rubbed the back of her thin neck with her hand. “Great-crested Flycatcher. Some yellow-rumped warblers. Don’t you have to catch up with your friends?” It hurt Dani’s feelings that Mrs. Holtkamp seemed to be shooing her off, that she wasn’t more interested in Dani than she might have been. That’s what the students at college and even Dani’s father didn’t like about Mrs. Holtkamp, she remembered. She wasn’t very friendly or nice. Joyless. Yet her frostiness somehow made Dani more interested in the old woman. She asked if she might tag along with her for a while—“I like birds too”—decided she’d wait till later before asking Mrs. Holtkamp for a ride to the end of her block along the highway.

“Of course,” Mrs. Holtkamp replied, more friendly than unfriendly, and so Dani followed the old woman as they ambled through the hammock, the two of them glancing up from time to time, but mostly walking. Mrs. Holtkamp didn’t say anything for a while. She seemed sort of out of it, actually. New bugs—or frogs, maybe—burped from the trees, joining the cicada sizzle. She was about to ask Mrs. Holtkamp about the new noise, but swallowed her words. Maybe because Mrs. Holtkamp didn’t seem like she felt like talking, and maybe because Dani didn’t want to admit that she didn’t know the animal to attach to those burping sounds.

“I have a backcountry permit with me,” Mrs. Holtkamp finally uttered over her shoulder, “just in case we get stopped.”

“Oh,” Dani said. “Good.”

Dani felt her sweat pearling on her forehead and upper lip as they walked, felt the warmth in her thighs and even in her lungs as she worked to keep Mrs. Holtkamp’s modest pace. Along with the burping sounds, there was an awful lot of birdsong up there in the canopy that the old woman seemed not to hear, because she didn’t stop and look for them with her binoculars.

“So why do you come out here, Mrs. Holtkamp?”

“I’m bird-watching.”

“Yeah, but why else?”

Here, the old woman halted in her tracks, turned toward Dani and flashed her teeth, which weren’t so mossy after all, Dani decided. “You were always a smart girl, weren’t you Danielle?”

Dani sort of half-nodded and licked the sweat of her lip rather than tell Mrs. Holtkamp that she wasn’t the smart one, that Lisa was the smart one. Dani was the one who didn’t like to do her homework and had to take Algebra twice and made her parents yell at her, and at each other, an awful lot.

“I suppose I come out here to think,” Mrs. Holtkamp continued. “Hammock’s a good place to be for that sort of thing.” Dani wondered what it was that Mrs. Holtkamp had to think about—her homosexual nephew? her husband who drove his car off the Seven-Mile Bridge a long time ago?—but before she could ask they were interrupted by the unignorable call of a new bird sounding several times from up in the pigeon plum foliage. Queep . . . queep . . . queep . . . queep. Mrs. Holtkamp raised her binoculars to her eyes and scanned the canopy. Queep . . . queep. The raspy notes sounded flycatchery to Dani, but higher and clearer than the flycatcher they had just heard.

“That’s a flycatcher, right?”

“Yes, Danielle. A La Sagra’s, I think. Rare. From the tropics somewhere. There! I see it. I’m fairly certain that’s what it is. Must be lost, poor thing.” Mrs. Holtkamp lowered her binoculars and unclipped them somehow from the complicated strap. She handed them to Dani, who looked up at the bird, which looked mostly plain and gray and not very special at all.

Then the flycatcher got real quiet all of a sudden, which seemed strange, the all-of-a-suddenness. Which made Dani lower her binoculars, and that’s when she saw something more interesting than the plain and gray bird. Four coal-black figures clad in colorless clothing, who walked steadily, if not quite fast, northward across the hammock leaf litter just twenty yards or so east of them, the two in the middle shorter than the ones in front and behind. One of the shorter people glanced Dani’s way, slowed her stride. Dani only knew she looked her way because she glimpsed the whites of her eyes flashing between the leaves and branches and stuff. And she only guessed that she was a girl, a child, who might have been younger than Dani. The girl was jostled from behind, it seemed, by her taller companion (her father?), redirected her gaze as her party continued through the hammock.

“Uh . . .” Mrs. Holtkamp uttered, as if she felt that words were required, yet had no idea what to say. “Um . . .”

So it was something of a relief when the rare flycatcher from the tropics picked up its queeping call once again, as the human migrants from the tropics slipped out of view, as Mrs. Holtkamp finally gathered her wits enough to say, “Well, Danielle, let’s keep moving,” as they trekked onward through the hammock away from the rare flycatcher in its pigeon plum, away from the coal-black family—yes, Dani decided that they were a family, having decided earlier that they must have been human migrants from the tropics—as Mrs. Holtkamp probably started thinking again about her thoughts, as Roger and the others smoked and screwed around in the creepy building not very far away that might have housed all sorts of fancy people had things turned out just a little bit different. Dani wondered what would happen to the family, who walked with such purpose, as zillions of unheard, unseen bugs, birds, mammals, and reptiles went about their own hammock business. She wondered whether the family would be okay, whether she and Mrs. Holtkamp ought to have pursued them and helped them in some way, whether someone was meeting them with a car on the highway up near the Card Sound Bridge to the mainland. Although new creatures sounded now from the trees closer by, Dani found herself listening hard after the rare flycatcher, who queeped more faintly from behind each step they took. She wondered who or what the poor bird was queeping for so deep in the hammock, so high in the pigeon plum foliage, so alone and so far from home.

“Flew It All Around” by Matthew Lippman

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Found in Willow Springs 86

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My kid did my hair this morning.

She got her fingers in my mop

and fucked it up.

Made all these spikes and railroads trestles.

Threw in some twirls and blue paint.

I had spent an hour with the brush. Didn’t matter.

She came upstairs and got her hands in there,

did some modern dance acrobatics on it.

When she was done

it was a garbage dump,

a forest of brutalized pines.

She said, Your head’s a forest.

She was right. She’s nine.

I wanted to say,

This is a metaphor for the world, the house,

the whole neighborhood,

but she already knows.

Everything she knows, she knows.

Honestly, I thought I was a cool dad

for being cool

with the cool kid

messing up daddio’s hair.

This was just me feeling good about myself, hot stuff cool.

Honestly, I wish a morning like this for everyone, for everything—

the parking lots and the playgrounds,

the school yards and classrooms,

the boardrooms,

the forests and the streams.

That we all can wake up and have someone come upstairs to fuck up our hair

for fun.

All that good stuff right before breakfast,

right before we step outside into the sunshine

and it smashes our face to pieces.

 

“Hawks” by David Dodd Lee

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Found in Willow Springs 84

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He was shooting me from across the street, me in my priest’s collar, my black gown. St. Sebastian’s was a flood of electric light. I could see the outer fringes of my hair all lit up, like an aura between the curls.

He’d already used the Steadicam. Now the street was snow in patches and a series of black sedans rolling past.

The movie was for a millionaire, who wanted priests and things with black wings projected on a wall behind his altar and his “fornication chair.” That’s what he told Gregory, a local director of music videos, a soft porn adaptation of Rent, PSAs for the Humane Society, and who, in fact, himself adopted and rehabilitated abused greyhounds. We’d gone to college together.

It’s crazy trying to make something of your days. I was in an Alice Cooper tribute band in the 1980s and early ’90s, but I kept seeing pictures of Cooper swinging golf clubs instead of scowling under blood-red skies filled with bats, and it just didn’t feel the same anymore. I felt like I was living a lie. . . .

I was now instructed to stand at the door of the church, to pretend I was locking up for the night.

“Wouldn’t I just walk through a hallway and into my residence?”

“You’re an adulterous priest. You’ve got a hot date with a female parishioner named Veronica.”

“I can do that.” I liked playing it straight, plus I’d be throwing in a bit of a sexy snarl for the millionaire. I’ve got large teeth in my mouth, including incisors. I played a vampire in another music video, from my Welcome to My Nightmare days.

I was further instructed to walk—slowly—down the wide (golden in the floodlights) staircase.

“Gladly,” I said, because walking’s my specialty.

I was wearing black shoes.

I didn’t need much more than the clothes. I put in some eye drops so one eye was dilated. A touch of mascara. I watched the black cars on the road.

Pigeons kept rising over the roofs of nearby houses and circling the church’s bell tower. I liked that I was high up against enormous wood doors, while in the house next door I could see a man watching TV and eating popcorn out of a blue or green bowl. His wife or girlfriend was curled up beside him. It made me feel a little sad. But it also felt good to be towering above them.

Gregory’s assistant moved downwind from us. He’d be standing there. Then he’d disappear or I’d only see half of him for a couple of seconds. He looked like the Black Dahlia woman, cut in half the way she was, but then Victor’d suddenly be walking toward us, or only half of him would be.

In the woods, just beyond the surrounding homes, a bonfire raged, staining the night’s low-flying clouds a peculiar shade of orange.

It was all in how you lived your life. I wasn’t much of a drinker myself, and I ate a lot of yogurt and blueberries and hardboiled eggs. But I could stand along an avenue with the skies aflame and talk to Jesus Christ, and the blackbirds would burst out of the trees.

The millionaire, it was said, threw big parties that included big orgies. People would come to town from Hawaii and Austria. Nude women wearing headgear fashioned to look like hawks carried trays of hors d’oeuvres and glasses of champagne.

“He thinks the help seem more nude that way, that it enhances their role as aphrodisiacs,” Gregory said.

All of us chuckled at that, except for Alphonso, whose wife had recently left him for some guy who frequented sex clubs in Chicago.

I’ve been there. I only snorted amyl nitrate twice, though—and it was great; smoke slithered over black floorboards and my partners felt dry and smooth, like anacondas.

Nowadays, I run on an elliptical most evenings. My last boyfriend left me when, for several weeks, he couldn’t stop staring at the ceiling and asking me why I was so damn annoying.

“I’m just lying here, Michael.”

“That’s not true, Stephen. For one thing you’re fucking breathing.”

I do love my cat, a svelte tabby runt. She is ten years old and has never weighed an ounce over five pounds.

When Gregory yelled, “Action,” I pretended to wrestle with a skeleton key. I knew he and the boys were rolling their eyes. What a drama queen.

I also knew they felt a chill run down their spines when I turned and floated about an inch off the concrete, my face white as the moon.

“Fuck,” I heard Victor say.

Then came the part in the scene where I begin to walk.

“Switches” and “What Pain Doesn’t Know About Me” by Gail Martin

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Switches

 

The first doctor offered

to remove both ovaries.

 

One minute the lake is flat,

the next the wires on the hoist

where the boat

floats are humming.

 

Ordinary pleasures:

A card game, straw flowers

on the horizontal plane.

Vertically, silent cells

rev up production.

 

The man driving from California

to Michigan refuses to turn left the whole trip.

Something ruthless is accelerating.

 

Our bodies, cozy as beaver dams,

start to seem unfamiliar, property

rented for a season, light switches

our fingers can’t find in the dark.

 

 

What Pain Doesn't Know About Me

 

How I visualize him as a rooster. How I nickname him Sparky.

 

My rabbit-heart. How it looks motionless in the bank of clover

but secretly continues to nibble.

 

I can tell time underwater. I sing hymns there.

 

He’s not pocketed my vanity.

 

My history with onions.

 

My skill at parallel parking. Cigar-smoking men have been

known to applaud.

 

We are not intimates although we’ve slept together. More

like roommates forced to share the cramped space of my body.

 

Even now, in my freezer, I hoard a bag of rosy peaches

frozen whole. I skin them holding them under hot water.

 

If hit with black light, I glow like the blue scorpions

used to treat cancer in Cuba.

“A Drop of Blue” by Anne Raustol

issue83

Found in Willow Springs 83

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I am in the third grade. I cross Pickwick Road to wait for the bus. I have shoulder-length, feathered hair, waist-high shorts, a tank top with green trim, and pink Reeboks that smell slightly of pee. I wet myself at a sleepover a few weeks earlier. My brother has already been dropped off for his special smart-kid morning at a different school, so I am alone. I feel what it is to not be a twin. It is a Wednesday. I bounce a small rubber ball I got out of a machine at the grocery store. My mother is in our duplex getting ready to bike to work. We don’t have a car. She is no doubt standing in front of the mirror trying to tame her hair and eyebrows. I think she is beautiful. I always tell her she looks perfect without makeup. I am an expert at studying her face. She plucks her eyebrows to be pretty. I know this and the way beauty and wholeness are fragile and the importance of the width of an arch.

 

The air outside is still and the sky is gray. It is silent as if everyone around packed up and left. The big man catty-cornered to our house isn’t even sitting on his porch smoking his cigarette. My ball is the only sound. A rubber whisper on the concrete echoes slightly against the wall of an empty morning. A car pulls up next to me on the corner, stops at the stop sign. I glance into the car. A man with wild gray hair and a long beard touching his dark T-shirt is looking at me. He is fiddling with something in his lap like a small wiggly rodent. He drives away before I can decipher what type of animal he is holding.

 

I look at myself in the mirror too sometimes. Like my mother. I wonder if I am pretty. I smile. First with my lips shut with a slight curve that could be mistaken for a smirk or sadness. Then I try with my mouth open to show the top row of teeth. No. That is too wild. Too much. I am not pretty enough to smile with my whole heart.

Mushrooms grow beside our bathtub. Sometimes I sit on the toilet and talk to my mother while she shaves her legs. She wants to hear all the details of my day, but there is too much to tell. My day is like a birthday cake smashed up and eaten horridly by a one-year-old. Or it’s an open breezy day with no thoughts except the fantastical ones everyone would laugh at if they heard. My elbows are propped up on my desk. I think myself away while my teacher drones on about the states and capitals and times tables and reading groups. Her voice is flat and dull. Her eyes are narrow. I want to float away through the window and climb onto my dreams. That old building. Roundtree Elementary in Springfield, Missouri, has no air conditioning so my teacher huffs and puffs up the windows when someone says it’s hot. I feel somehow responsible for her trouble.

Sometimes in class I stare at Shannon and wish for her short, blond, whimsically messed-up hair and blue eyes, and even the way she sits with one leg folded under her body and turned in her seat seems so cool and casual and like she’s unbothered by how a girl should sit in class. A girl must not be rowdy or slung over her seat or raise her hand too often, begging to be heard, but quiet and straight and with both feet on the floor. I turn around and stop staring at Shannon. I sit tall, pretending.

 

The man comes around again. I think maybe he is lost as I continue to bounce the ball, and I peek into his car again. He watches me with eyes like a sad animal, and he is still fiddling with the creature in his lap, or is the creature moving independently of him, elongated in an odd way—trying to get away from his owner? Why has he taken his small pet for a ride, outside of a cage? We have three gerbils in a cage in my kitchen. One has taken to escaping. Once, she caught fire under the water heater, and we watched as her flaming body scurried across the kitchen floor. If we had a car, we wouldn’t take our gerbils for rides, I think. It’s weird. I wrinkle up my forehead and look down, step back. His gaze makes my heart beat like a stumpy dog tail in my chest. He pulls away again.

 

When I was seven, my mother chopped her hair off in the middle of the night. Her beauty was unaltered in my mind, but I was shocked to see her this way. I was dressed and ready for another day of second grade. She lifted her head to look at me. Her hair was short and black and curly all over. Her face was puffy, and I think I backed away at first then leaned down to hug her. I wanted her to look up at me and say she’d be okay. The way I now know my own kids look at me sometimes when the cave of my heart darkens and the stone is locked into position, no space for the light to come in. “I’ll get up and make breakfast,” she said. I shook my head, thinking I can make my own breakfast. I can stick two waffles in the toaster. Pull them steaming out with the tips of my fingers and drop them on the orange Tupperware plate.

 

My daughter used to be energized by cutting her hair short. Her beautiful red hair framed her butter-skinned face and freckle-scattered nose. She stopped doing this when she learned what the world says. Until she figured out that boys like long hair and she couldn’t quite be herself anymore and say fuck you world in this small big way. Because it’s always big when you can rise up, unearth something from the depths of your body soil.

 

The man comes around again. I look in his car this time and see his eye still on me, his mouth, though just barely visible beneath his facial hair, is contorted in a look of concentration and anger at the same time. All at once, I know that what is in his lap is not a small rodent. It is not his pet. It is his penis. My mind does this thing that I think is like a near-death experience. All of my small and big moments flash in my mind like a roll of film. I can hear his motor putter. His car is old and blue. I stop bouncing my ball.

I run across the street into my house where my mother is standing by the door, her satchel slung over her shoulder, ready to leave. I lunge into her body. And she holds me. I cry, but I don’t fully know why. I don’t know then that I have died for the first time. The man’s eyes, the look of his thing—as I called it when I told what happened to the police later that day—seared into my body and remained there, a memory that will be like a drop of blue turning a whole can of paint a different color.

[]

Four Poems by Maggie Smith

issue83

Found in Willow Springs 83

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POEM BEGINNING WITH A LINE FROM BASHO

 

The moon is brighter since the barn burned.

And by burned I mean to the bones—

the rafters on the ground a whale’s ribcage.

A barn is mostly kindling. No wonder

it went up like that—whoosh. Or should I

question my perception? As the therapist

tells me, look for evidence to support

the feeling. One minute, beams. The next,

smoke. Didn’t my husband say, hardly

to me at all, it was a long time coming?

In this still-smoldering field, I am looking

for evidence. How can something stand

for years, and then—? Just like that?

Where the roof was, all this night.

 

 

for my next trick

 

Where was I, she asks,

before I was in your body?

 —What was I?

 

You were nowhere,

I tell her, nothing.

 

Then where do we go

next? She presses.

Keeps pressing: Back

 

to nothing?

If I could believe

 

I’ll see her again,

waking from whatever

this world is into

 

another world,

I would—

 

even if the ending

is so tidy, it spoils

the whole story.

 

We can’t talk

about birth without

 

talking about death,

can’t talk about death

without talking

about separation,

that thick black

 

redaction.

Do I tell her we end

like a book—the end?

 

That when we’re gone,

we’re gone, too gone

 

to miss or even

remember each other?

She knows

 

what vanish means.

Pretending

 

to do magic,

she says it as a verb:

For my next trick,

 

I’ll vanish you.

I tell her the stars

 

are the exception—

burnt out but still lit.

No, not ghosts,

 

not exactly. Nothing

to be scared of.

 

 

how to build a fire

 

 

First ask yourself        Why fire

 

in the twenty-first century      Is it serving

 

some primal need        drawing you closer

 

to the earth      to what you think of

 

as God            to what you think of

 

as ancestors     as if you know anything

 

about ancestors                      Ask yourself

 

what you need for kindling and flame

 

Do you empty your son’s pockets

 

for stones        for one you can spark

 

against another                      Do you saw

 

a stick against its brother        Do you see

 

God when you tilt a shard of mirror

 

above a nest of your shorn hair

 

 

three thoughts after crossing nameless creek

 

1.

The student who told you

her mother didn’t name her for days.

For more than a week, everyone

called her Baby.

 

2.

Your daughter, who now sees

the labeled world: For sale. Open. Stop.

Even Hell Is Real. It’s love/

hate, reading being automatic.

Seeing a thing and

—immediately, without consent—

knowing it.

 

3.

Once, as a child, you tried to imagine

nothing—tried like hell to empty

your mind’s shameful hoard.

You stayed awake for days.

But each time you had it,

you labeled it—nothing

and that was something,

and you had to start again.