Issue 60: Aurelie Sheehan

aurelie

About Aurelie Sheehan

Aurelie Sheehan is the author of two novels and two short story collections, most recently, Jewelry Box: A Collection of Histories (BOA Editions, Ltd.). Earlier pieces from this project were published in Willow Springs 60. Her work has also appeared in Alaska Quarterly, Conjunctions, Epoch, Fairy Tale Review, Fence, New England Review, The New York Times, Ploughshares, and The Southern Review. She has received a Pushcart Prize, a Camargo Fellowship, and the Jack Kerouac Literary Award. Sheehan teaches fiction at the University of Arizona in Tucson.

A Profile of the Author

Notes on “5 Stories”

In these pieces (as well as in my new book, Jewelry Box: A Collection of Histories), I’m looking at story and history and autobiography and invention in a lot of different ways. I started this project with the idea of writing one hundred histories (also the original title). I’ve always been a chancy and bad student of history—can’t remember dates, presidents, etc.—and yet I’m also obsessed with history and how it plays out in our daily lives. These pieces are part of that inquiry. What is underneath a tube of suntan lotion or a T-shirt, or a strange profusion of plastic bits on the road? To me, these items explode with history.

So it’s not textbook history, of course, but a kind of subjective history. The place fiction and nonfiction really intersect here is in perspective. I think of these as “histories,” knowing full well there are just as many other histories to refute or echo or elaborate on them. A T-shirt means one thing to you, one thing to me, and another thing to me yesterday. Therefore, my history is fiction of a kind. It’s one perspective: it’s not reality.

But still, it matters to me that many of these pieces have origins in autobiography. As a fiction writer, I found it exciting to more boldly use my own experience as material. I think I’m realizing how many ways memory and imagination intersect, with or without my say-so. Here, I use my own life freely, but I also use third person, or imagined situations, when it feels necessary. (Luckily, we’re calling this fiction overall, so I’m not pulling the wool over anyone’s eyes in that less-than-pleasing way.)

Notes on Reading

It would definitely be the case that reading Lydia Davis’s short work gave me, years ago, a sense of new possibility. But the awesome joy of reading a book of fiction that I love is what transforms me and fuels me, no matter how removed the aesthetic or form is from my own current project. In fact, usually I read stuff that is far from what I’m trying to do at that particular moment, so I don’t get distracted by other writers’ voices and ideas. Sometimes I do go for something with a healthy antidote effect. For instance, Haruki Murakami’s prose can help me get over a case of the Adjectives.

I’m excited by some of the other short short work out there in this world—whether it is called fiction or nonfiction or poetry. Mary Ruefle, Maggie Nelson, Julio Cortázar, and Anne Carson come to mind. Some other favorite writers are Katherine Mansfield, Deborah Eisenberg, Frederic Tuten, Virginia Woolf, Zadie Smith, George Saunders, and Edward P. Jones.

Sorry, we couldn't find any posts. Please try a different search.

Issue 81: Sean Lovelace

Sean Lovelace

About Sean Lovelace

Sean Lovelace lives in Indiana, where he directs the creative writing program at Ball State University. He has won several national literary awards, including the Crazyhorse Prize for Fiction. His books include The Frogs Are Incredibly Loud Here, Fog Gorgeous Stag, and How Some People Like Their Eggs. He likes to run, far.

A Profile of the Author

Notes on “Letters to Jim Harrison”

REPORTAGE: I would call these letters space travel and also “literary homage,” a term possibly I made up, not sure. Certainly we know Hours by Michael Cunningham, or the time Ben Greenman rewrote Chekhov’s stories, etcetera. Much of the Chinese poetry I’ve submerged myself in (I know “submerged” is hyperbolic, but it’s the best word I can find) all autumn is one poet writing through history to another. Homage. My particular project begins with the 1925 death of Russian poet, Sergei Yesenin. Possibly by suicide—a long story involving the Soviets, drunkenness, and writing poetry in your own blood (Apocryphal? Maybe). But jump Time and Space. To the early 1970s, wherein American writer Jim Harrison (of Legends of the Fall fame, if any) is suffering poverty, publishing failure, doubt, and the black dog of depression. He begins writing to Yesenin, letters/prose poetry. Jump again to 2006, I’m in Michigan. A southern boy suddenly alone in the cold. I eat my meals in bars and sleep a lot (or lay under blankets on the floor in a malaise/sleep-like state, sweat pouring off my body). I discover Jim Harrison’s books at the Grand Rapids public library. I fall in love with his writings, especially the poetry. I read all of his works. Jump to 2016, Jim Harrison dies at his writing desk, while writing a poem…This hits me hard like a river boulder to the chest. A gray winter cloud. In grief and respect, I begin to write him letters. So far, I’ve written 95 that are decent to okay good. I’ve written about 300 that didn’t leap from the water into daylight or even make it from the swirling eddy of writing, trying to. I’m still writing these letters.

 

Music, Food, Booze, Tattoos, Kittens, etc.

I’ve been listening to a Mozart channel I found on my phone. It’s from Canada. I recently found another better one on Amazon Prime. Again, only Mozart. I only listen to Mozart or Morrissey. At least for the last twenty years. I also like the muffled sound of snow falling on snow, especially in a swamp or lowland area near a river, but that’s not technically music. As for eating, I only eat meat I personally kill. A lot of venison, since I’m a bow-hunter. A giant king salmon I recently caught up in Michigan. I thought I had hooked a runaway train or deep regret, etcetera. A giant fish. We fought for many minutes (they seemed extraordinarily long at the time, and, thinking the whole thing over, later on, I realized that in fact they were). I do eat shrimp, though I’m not sure why that exclusion to my rule exists but humans are inconsistent and odd, as we know. I eat a lot of nachos, with sharp cheddar, refried black beans, a wide array of hot sauces. I glow hot sauces. I have a new one a librarian (and heroin addict, though I’m not sure that’s relevant here) gave me that contains all four of the hottest peppers on the planet (Trinidad, Carolina Reaper, Bhut Jolokia, Red 7-Pot). Very tasty. Will clear your sinuses and soul. As for booze. I really like to drink beer and vodka and red wine but it’s also important to regulate that, you know, the main motive being so you can keep drinking. Alcohol is a variety of suicide, of course, but a lovely one and anyway this isn’t a dress rehearsal. This life. So I’m dealing with that balance right now. To drink wherein I don’t have to stop drinking. In brighter news I am getting a puppy soon!! A rat terrier. Cute as a narwhal cub and twice as smart. I do have mixed feelings about this endeavor, but life is nothing but mixed feelings. It will either work out grandly or not at all.

“Andy Warhol and the Art of the Bullet ” by Sean Lovelace

Found in Willow Springs 59 Back to Author Profile You return from shopping. Isn’t there something you forgot, baby aspirin or turpentine? Raspberries, razor blades, Hula-Hoops? Oven-fried-Corn­ Flake-chicken? Or maybe a … Read more

Read More
Issue 81 Cover shows Chris Bovey print of Spokane's famous garbage goat in teal and yellow with Willow Springs in decorative font.

Letters to Jim Harrison by Sean Lovelace

Found in Willow Springs 81 Back to Author Profile Letter to Jim Harrison #3   REPORTAGE: a Tuesday. And along the highways a rash of clowns with knives. Dead deer killed … Read more

Read More

Issue 58: David James Poissant

David-James-Poissant-500x500

About James Poissant

David James Poissant’s stories and essays have appeared in The Atlantic, The Chicago Tribune, Glimmer Train, The New York Times, One Story, Playboy, Ploughshares, The Southern Review, and in the New Stories from the South and Best New American Voices anthologies. His writing has been awarded the Matt Clark Prize, the George Garrett Fiction Award, the RopeWalk Fiction Chapbook Prize, the GLCA New Writers Award, and the Alice White Reeves Memorial Award from the National Society of Arts & Letters, as well as awards from The Chicago Tribune and The Atlantic Monthly and Playboy magazines. He teaches in the MFA program at the University of Central Florida and lives in Orlando with his wife and daughters.

His debut short story collection, The Heaven of Animals, was published by Simon & Schuster in 2014. He is currently at work on a novel, which is also forthcoming from Simon & Schuster.

A Profile of the Author

“Between the Teeth” by David James Poissant

Found in Willow Springs 58 Back to Author Profile Jill’s had James Dean since college, a gift from her parents before they died–car crash–which makes him extra special to her, a … Read more

Read More

Issue 63: Robert Lopez

robertlopezauthorphoto

About Robert Lopez

Robert Lopez is the author of two novels, Part of the World and Kamby Bolongo Mean River, and two story collections, Asunder and Good People. Among other places, his fiction has appeared in the American Reader, BOMB, Brooklyn Rail, Hobart, Indiana Review, Literarian, Nerve, New York Tyrant, Vice, and the Norton anthology Sudden Fiction Latino. He lives in Brooklyn and teaches fiction writing at The New School, Pratt Institute, Columbia University, and the Solstice MFA Program at Pine Manor College.

Issue 69: A Conversation with Robert Lopez

By Jennings, Brittany | October 13, 2021

Interview in Willow Springs 69 Works in Willow Springs 55 February 3, 2011 Blake Butler, Samuel Ligon, and Joseph Salvatore A CONVERSATION WITH ROBERT LOPEZ Photo Credit: unsaidmagazine.wordpress.com The fiction of Robert Lopez occurs in a world simultaneously oppressive and hilarious, in which people fail to recognize their spouses or lovers, in which something is … Read more

A Profile of the Author

Notes on “Uniforms”

“Uniforms” is an excerpt from Kamby Bolongo Mean River, a novel that was published by Dzanc Books in September, 2009.

Kamby Bolongo Mean River started as a short story. I liked the voice and thought it could be sustained for something longer so I returned to it at some point and wrote another ten or so pages but had to put it away when life interceded. Another year passed and when I had the next chance to work on this now longer story the sentences poured out and it turned into a novel. Everything I’ve happened to write comes from language and in this case I started with the line, “Should the phone ring I will answer it.”

Notes on Reading

Samuel Beckett’s Molloy changed the way I looked at language, sentences, and what a narrative can include and exclude. I’ve said before that reading Hemingway’s “A Clean Well-Lighted Place” made me want to write a story and reading Raymond Carver made me want to be a writer. I haven’t re-read Carver in years. I might take something off the shelf and skim a few pages, that seems to be the extent of my attention span lately. I do the same with Leonard Michaels, Grace Paley, Borges, Wallace Stevens, many others. I hope to start reading and re-reading again in earnest soon. I do read friends’ work and that I always enjoy.

“Uniforms” by Robert Lopez

Found in Willow Springs 63 Back to Author Profile an excerpt from Kamby Bolongo Mean River Uniforms are always good and I have always enjoyed wearing uniforms whenever I am allowed to … Read more

Read More

“Vaya con Huevos” by Robert Lopez

Found in Willow Springs 58 Back to Author Profile Two despicables in conversation. Tempers flare. I’m the one under the oil painting. The oil painting is mounted on a wall too … Read more

Read More

Issue 54: Emperor Li Yu

Li_Yu_scth

About Emperor Li Yu and Francis Blessington

The Emperor Li Yu was a poet, calligrapher, and painter who gathered an accomplished court and encouraged Buddhists. He ruled the short-lived Southern Tang dynasty until 975 CE when he was captured and imprisoned in the Song capital of Bianjing. In prison, he wrote many poems about the death of his son and beautiful, artistic wife and the loss of kingdoms. He was forced to commit suicide in 978 CE.

Francis Blessington teaches major books of the past as aesthetically interesting in themselves and as relevant to the modern world: the Greeks, the Romans, the Bible, and Milton, especially Paradise Lost. He also teaches seventeenth-century British literature, a major period for great lyric poets, like Donne and Ben Jonson, and for styles of writing prose.

A Profile of the Author

“From Prison” by Emperor Li Yu

Found in Willow Springs 54 Back to Author Profile When shall spring flower, autumn moon cease? Past gold days are endless. East wind last night at my tower cell. My head … Read more

Read More

Issue 33: Khaled Mattawa

KhaledMattawa_NewBioImage

About Khaled Mattawa

Khaled Mattawa was born in Benghazi, Libya, in 1964 and immigrated to the United States in his teens.

His collections of poetry include Tocqueville (New Issues, 2010), Amorisco (Ausable, 2008), Zodiac of Echoes (Ausable, 2003), and Ismailia Eclipse (Sheep Meadow Press, 1995). He is also the author of Mahmoud Darwish: The Poet’s Art and His Nation (Syracuse University Press, 2014).

Mattawa has also translated many volumes of contemporary Arabic poetry and coedited two anthologies of Arab American literature. His many books of translation include Adonis: Selected Poems (Yale University Press, 2010), Invitation to a Secret Feast (Tupelo Press, 2008) by Joumana Haddad, A Red Cherry on A White-Tile Floor (Copper Canyon Press, 2007) by Maram Al-Massri, Miracle Maker, Selected Poems of Fadhil Al-Azzawi (BOA Editions, 2004) and Without An Alphabet, Without A Face: Selected Poems of Saadi Youssef (Graywolf Press, 2002), among others.

A Profile of the Author

Cairene Sloth Song by Khaled Mattawa

Found in Willow Springs 33 Back to Author Profile By the time basil grew on my shoulders I had become a sloth Listening to the gold beaked-angel Fight it out with … Read more

Read More

Issue 21: Yusef Komunyakaa

Komunyakaa_Web

About Yusef Komunyakaa

Yusef Komunyakaa was born in 1947 in Bogalusa, Louisiana, and raised during the beginning of the civil rights movement. He served in the United States Army from 1969 to 1970 as a correspondent, and as a managing editor of the Southern Cross during the Vietnam War, earning him a Bronze Star. Komunyakaa is one of America’s most prolific and important poets, having received the Pulitzer Prize and the Kingsley Tufts Poetry Award for his book Neon Vernacular: New and Selected Poems, as well as the Wallace Stevens Award for lifetime achievement from the Academy of American Poets. He is a Distinguished Senior Poet in New York University’s graduate creative writing program, where he’s taught since 2006.

A Profile of the Author

Three Poems by Yusef Komunyakaa

Found in Willow Springs 21 Back to Author Profile The Cops Call Him Charlie   An olive grove’s heavy greenness remains his only country & flag. Without family or friends, fifty … Read more

Read More

Issue 59: A Conversation with Yusef Komunyakaa

Interview in Willow Springs 59 Works in Willow Springs 23 and 21 April 21, 2006 Jeffrey Dodd and Jessica Moll A CONVERSATION WITH YUSEF KOMUNYAKAA Photo Credit: dodgepoetry.org CONTRIBUTING TO A … Read more

Read More

Issue 20: Tomaž Šalamun

tomaz-salamun-hires-cropped

About Tomaž Šalamun

Šalamun is the author of more than 40 collections of poetry in Slovenian and English. He published his first collection, Poker (1966), at the age of 25. His poetry, using elements of surrealism and polyphony, was influenced by the work of Frank O’Hara, John Ashbery, Charles Simic, and Charles Baudelaire. His collections of poetry in English include The Selected Poems of Tomaž Šalamun (Ecco Press, 1998); The Shepherd, the Hunter (Pedernal, 1992); The Four Questions of Melancholy (White Pine Press, 1997); Feast (Harcourt, 2000), Ballad for Metka Krasovec (Twisted Spoon Press, 2001, translated by Michael Biggins), Poker (Ugly Duckling Presse, 2nd edition 2008, translated by Joshua Beckman and Šalamun), Row! (Arc Publications, 2006), The Book for My Brother (Harcourt), Woods and Chalices (Harcourt, 2008, translated by Brian Henry), There’s the Hand and There’s the Arid Chair (Counterpath, 2009), and On the Tracks of Wild Game (Ugly Duckling Presse, 2012). His poetry has been widely anthologized and translated into more than 20 languages.

 

Michael Biggins is a native of Kansas and was educated at the University of Kansas. He has translated from Slovene previously and is currently at work translating satirical stories of the sixties and seventies from Russian. He teaches in the Modern Languages Department of Knox College in Galesberg, Illinois.

A Profile of the Author

Two Poems by Tomaž Šalamun

Found in Willow Springs 20 Back to Author Profile The Cross   I’ll draw a cross Serpentines on my rocking chair How pathetically the shirt hangs Once the body has left … Read more

Read More

Issue 19: Roberto Juarroz

roberto_juarroz_220x500

About Roberto Juarroz

Roberto Juarroz published fourteen volumes of poetry in all, numbered successively 1 to 14, under the general title “Poesía vertical”, the first appearing in 1958 and the final one posthumously in 1997. A fifteenth volume was edited by his wife, the poet and critic Laura Cerrato, and published after his death. W.S. Merwin published a bilingual selection of Juarroz’ poems in 1977 (Kayak Books) which was re-issued in an enlarged edition in 1987 (North Point Press), both volumes entitled Verical Poetry. In 1992 Mary Crow published her translations of the later work as Vertical Poetry: Recent Poems (White Pine Press), which won a Colorado Book Award. In 2011 Crow’s translations of a selection of Juarroz’ final poems will appear as Vertical Poetry: Last Poems (White Pine Press).

W.S. Merwin’s first poetry collection, “A Mask for Janus,” was chosen by W. H. Auden for the Yale Series of Younger Poets in 1952. Merwin is a two-time winner of the Pulitzer Prize in Poetry, for his collections “The Carrier of Ladders” and “The Shadow of Sirius.” His work is noted for exploring the individual’s relationship to both political and natural landscapes. In addition to his poetry, Merwin is the author of two memoirs; several books of prose; and translations of Pablo Neruda, Federico García Lorca, and Dante, among others. He has received numerous honors, including the Bollingen Prize for Poetry, two Guggenheim Fellowships, a National Book Award, a Lannan Literary Award for Lifetime Achievement, and a PEN Translation Prize. Merwin was a chancellor of the Academy of American Poets from 1988 to 2000, and has been named the first Laureate of the Zbigniew Herbert International Literary Award. From 2010 to 2011, he served as the seventeenth Poet Laureate of the United States.

A Profile of the Author

Vertical Poetry by Robert Juarroz (Translated by W.S. Merwin)

Found in Willow Springs 19 Back to Author Profile Labyrinth of the bitter and the sweet, of the ripe seasons before the harvest, of the mistaken expressions in the exact forges, … Read more

Read More